Release Date: March 14, 2008
Starring: Nick Stahl, AnnaSophia Robb,
Charlize Theron, Dennis
Hopper, Woody Harrelson, and
Audience: Older teenagers and adults
Runtime: 100 minutes
Distributor: Overture Films/Starz LLC
Director: William Maher
Executive Producer: Anthony Rhulen, Michael
Stirling, Charles Mason, and
Producer: Charlize Theron and J. J.
Writer: Zak Stanford
Address Comments To:Robert Clasen, Chairman/CEO
(Starz Entertainment, Overture Films, Anchor Bay Entertainment)
8900 Liberty Circle
Englewood, CO 80112
Phone: (720) 852-7700
Fax: (720) 852-8555
The movie features Charlize Theron as Jolene Reedy, an irresponsible, foul-mouthed single mother with an 11-year-old daughter, Tara, played by AnnaSophia Robb of BRIDGE TO TERABITHIA and BECAUSE OF WINN-DIXIE. The story opens in the dead of winter with Jolene and Tara being thrown out of the house where they live because Jolene’s boyfriend has been arrested for growing and selling marijuana.
With nowhere else to go, Jolene and Tara show up at Jolene’s younger brother’s decrepit apartment. James is a timid road worker who always seems to be apologizing to people, who easily boss him.
After a one-night stand with some trucker she meets, Jolene skips out on Tara with this man, but promises in a letter that she will be back in one month on Tara’s birthday. Of course, Jolene doesn’t return when she promised. Also, taking care of Tara proves too much for James, who loses his job. At the same time, the detective in charge of the drug bust comes in with a social worker, and they remove Tara to a foster care facility.
James has to leave his apartment but is taken in by Randall, a goofy buddy from work, played by Woody Harrelson in a bright cameo. After a few days, James visits Tara in the foster care facility. James discovers that Tara is miserable, so he doesn’t return her that evening. Instead, they drive away in the car that Jolene left behind. Change my name to Nicole, Tara tells him, and pretend you’re my father. James agrees.
With no place to go and dwindling funds, James takes Tara to his father’s farm, from which he and Jolene escaped years before. His father, however, is a very mean man (played by an invigorated Dennis Hopper), who drove Jolene and James away so long ago. James finds himself falling back into his former subservient manner toward his brutal, angry father, and the paternal source of James and Jolene’s problems becomes abundantly clear. Now, however, Tara also is feeling the old man’s wrath.
SLEEPWALKING is an engrossing, but sad, drama. Though well acted, it would have been better if the story had stayed with the friendship between James and Randall. There is also an interesting, possibly budding romance between James and an older woman from his job that’s left hanging.
The first half of the movie clearly makes Jolene the villain, but when viewers meet James and Jolene’s father, it becomes clear that the real villain is their mean old father. In that way, the movie presents a Romantic worldview of the family where the founder of the family, the father, is the villain who makes the innocent children, James and Jolene, behave in such self-destructive ways. In the end, only by rebelling completely and violently against the dark father can James take control of his life and free Jolene and Tara. It’s all up to James.
One of the movie’s few redemptive aspects is the bond that develops between James and his young niece. For the first time, James is responsible for caring about another, weaker person. Regrettably, however, James is in over his head, and his responsibility ultimately leads to defiance of authority and violence. In other words, God is not the answer to James, Jolene and Tara’s problems. Also, the change of heart that strikes Jolene in the movie’s third act doesn’t match the carelessness she displays in the first act. That’s probably because, instead of a God-centered Christian worldview based on the Bible, the filmmakers have a liberal Romantic worldview based on feelings and emotions rather than logic, facts and intellect. Consequently, the core of this movie reveals an abhorrent sickness lurking underneath its seemingly innocent surface.
Ultimately, most moviegoers, especially non-liberal ones, will find that SLEEPWALKING is not as compelling as it could have been. The movie also includes plenty of strong, gratuitous foul language and a few other vulgarities. With significant changes, this could have been a PG-13 movie, or even a PG drama, but the artists’ Romantic, unbiblical sensibilities lead them astray.
SLEEPWALKING is like two movies. The first half clearly makes Jolene the villain, but the second half shows that the vicious old father is the real villain. In that way, the movie presents a Romantic worldview of the family, where the founder of the family corrupts the innocent children. The solution to this problem is not God, but complete rebellion against the evil authority figure.