Priest Under Fire
Release Date: August 01, 2014
Starring: Brendan Gleeson, Kelly Reilly,
M. Emmett Walsh, Chris
O’Dowd, Aidan Gillen, Dylan
Moran, Isaach De Bankole,
Marie-Josee Croze, Domnhall
Gleeson, David Wilmot, Pat
Shortt, Gary Lydon
Runtime: 100 minutes
Distributor: Fox Searchlight Pictures/News
Director: John Michael McDonagh
Executive Producer: Ronan Flynn, Robert Walak
Producer: Chris Clark, Flora
Fernandez-Marengo, James Flynn
Writer: John Michael McDonagh
Address Comments To:Rupert Murdoch, Chairman/CEO, and Chase Carey, President/COO, News Corp.
Stephen Gilula, President/COO, and Nancy Utley, President/COO, Fox Searchlight Pictures
20th Century Fox Film Corp. (a division of Fox, Inc. and News Corp.)
10201 West Pico Blvd., Bldg. 38
Los Angeles, CA 90035
Phone: (310) 369-1000; Fax: (310) 369-2359; Website: www.foxsearchlight.com
Father James (Brendan Gleeson) is a small-town Irish priest who joined the clergy in mid-life after his wife died, leaving his daughter Fiona (Kelly Reilly) resentful and feeling abandoned. In the opening scene, Father James hears a confession from an unseen man who says he was sexually abused for years as a boy by a priest. He threatens to kill Father James in seven days for revenge. He challenges Father James to meet him on the town beach. He wants to kill an innocent priest because the one who harmed him is dead now and it would be more shocking to everyone if he killed an innocent clergyman.
As a result, Father James enters that week with deep uncertainty, stopping to buy a gun for self-defense from a writer (M. Emmett Walsh), who sells it to him illegally. Along the way of those seven days, his daughter comes to visit him, and he has to help her cope with her bipolar depression and the fact that a lover he doesn’t know has hit her.
Father James confronts the man he believes is responsible for hitting his daughter, stirring up tension with him. He also faces an unusual visit from his daughter’s ex-husband (Chris O’Dowd), who seems friendly but then scoffs at him for being a priest and for the crimes of those who abused children.
Also darkening the priest’s world is the town police chief, who secretly uses a homosexual prostitute who repeatedly taunts Father James about the fact that he (the prostitute) was sexually abused as a boy. An atheistic doctor tells Father James a horrible true story about a child who was left helpless by botched surgery, tormenting the priest with the idea of why God would allow such suffering to exist.
Father James starts to drink to excess and loses his temper in a dangerous fashion. As the days tick down, however, he rallies his courage and faith. He resolutely makes one nobly right and forgiving decision after another before engaging in a powerful act of self-sacrifice.
CALVARY is strong stuff, with a depiction of faith and loss, good and evil that offers plenty for viewers to think about. Through it all, its central character Father James is shown as fighting for moral justice and trying to help others find forgiveness and regain their own dignity. Although some characters accept these gifts, others reject them.
Ultimately, this unflinching portrayal truly offers a stirring parallel to the desperate last walk of Jesus to His own self-sacrifice on the Cross at Calvary. Writer-director John Michael McDonagh may depict a world with sin in it, but he does so with tasteful discretion and by showing that the wages of sin are depression and misery. For example, those who taunt the priest with their bad behavior and cruel comments all wind up miserable, while those who strive for redemption or forgiveness attain some level of happiness.
Throughout the movie, Brendan Gleeson delivers an incredible, timeless performance that fully deserves Oscar consideration. Like Mel Gibson’s THE PASSION OF THE CHRIST, this is a movie that deals with harsh subjects and imagery (though nowhere near the violence of PASSION), but one that extols forgiveness and redemption.
The priest always tries to counsel people wisely about the traumas they have suffered, always has a kind word for those who need it, and maintains his dignity as a man of God, even as those around him decry the sexual abuse brought about by other priests. He has a troubled relationship with his adult daughter, who felt he abandoned her when he became a priest, in effect leaving her without either parent, but by the end of the movie, they have developed a beautiful relationship and forgive each other warmly.
That said, CALVARY contains plenty of strong foul language, crude sexual references and a scene of graphic violence. So, extreme caution is advised. Also, although the movie’s Catholic priest is a really positive figure, the movie does spend a lot of time on the sexual abuse scandals plaguing the Catholic Church. The scandals are indeed atrocious events, but they have also been hyped a lot by many in the mass media who have an Anti-Catholic and Anti-Christian ax to grind.
CALVARY is strong stuff, with a depiction of faith and loss, good and evil that offers plenty to consider. Throughout, its central character, Father James, is shown fighting for moral justice and trying to help others find forgiveness and regain some dignity. Although some characters accept these gifts, others reject them. CALVARY has a strong Christian worldview, marred by strong foul language, strong lewd references to the Catholic abuse scandals, and a graphic scene of violence. So, extreme caution is warranted.