Jumping the Broom Add To My Top 10

Uptown vs. Downtown

Content -2
Quality
None Light Moderate Heavy
Language        
Violence        
Sex        
Nudity        

Release Date: May 06, 2011

Starring: Paula Patton, Laz Alonso, Angela Bassett, Loretta Devine, Mike Epps, Meagan Good, Tasha Smith, Julie Bowen, Romeo Miller

Genre: Romantic Comedy

Audience: Teenagers and adults

Rating: PG-13

Runtime: E: ** Uptown vs. Downtown **

Address Comments To:

Michael Lynton, Chairman/CEO
Amy Pascal, Chairman - Motion Picture Group
Sony Pictures Entertainment
(Columbia Pictures/TriStar/Screen Gems/AFFIRM Films)
10202 West Washington Blvd.
Culver City, CA 90232-3195
Phone: (310) 244-4000; Fax: (310) 244-2626
Web Page: www.spe.sony.com/

Content:

(CC, BBB, L, V, SS, N, A, D, M) Strong Christian worldview that repeatedly affirms the sanctity and importance of marriage, portrays chastity in a favorable light, character prays for forgiveness for her sexual sin, characters pray for guidance with important decisions, Scripture is quoted, one character challenges another to put his pride aside and make things right with his fiancée, reference to marriage as a blessing despite adversity, forgiveness shown as important to maintaining family love; three light obscenities, three light profanities; multiple coy and not so coy references to masturbation, erections, and periods; two characters slap each other in a heated argument, one character punches another in somewhat righteous anger; multiple coy and not so coy sexual references include many of jokes revolve around the lead female’s vow of chastity, repeated references to how her fiancée is “handling the situation,” engaged couple kisses passionately while the bride is in her underwear but she then rebuffs his further advances, a sensual but tongue-in-cheek performance of the song “Sexual Healing,” lots of sexual humor throughout buffered by the steadfastness of the lead female’s vow of chastity, and multiple scenes of sensual kissing between unmarried couples; lead female is shown in her underwear in two scenes, upper male nudity, multiple female characters in swimsuits; light, social alcohol use throughout the movie but no drunkenness; one minor character seen smoking a cigar briefly; and, a character claims to be a hermaphrodite to stop the advances of a man, jokes made about bidets, character justifies a cruel action by claiming to have prayed about it but is condemned by another character for this.

Summary:

JUMPING THE BROOM is a surprisingly touching and sincere comedy for mature audiences about the struggles of a young engaged couple when their very different families meet for the first time days before their wedding. Wonderful acting, writing and directing, along with strong biblical, Christian messages about the sanctity and value of marriage and the importance of prayer, are marred by too much lewd humor.

Review:

JUMPING THE BROOM is a surprisingly touching and sincere comedy for mature audiences. It follows the travails of Jason and Sabrina, as their two very different families meet for the first time just days before their wedding. Through the difficulties and problems that occur, their faith in God and love for one another is strengthened.

The movie opens on Sabrina Watson after a regrettable one night stand. She prays for forgiveness for making this mistake (again) and makes a vow that she will stay pure until she is married. She then asks God to send her a husband and make it obvious, and promptly hits a pedestrian with her car. The victim, Jason Taylor, is unharmed and the two begin a chaste but whirlwind romance. They are engaged within a few months, and plan to marry immediately because Sabrina has a job opportunity in China.

Due in part to the rapid nature of their relationship’s development, Sabrina has never met Jason’s family. Two days before the wedding, Jason’s mother arrives at the Watson’s gorgeous estate in Martha’s Vineyard, along with her best friend, her nephew and Jason’s uncle. Mrs. Taylor is a widow and is already off-put by what she sees as rude behavior by Sabrina before she even arrives. Conflict begins immediately upon Mrs. Taylor’s arrival, with misunderstandings and intentional slights from both sides.

A central bone of contention revolves around Mrs. Taylor’s desire to see Jason and his bride-to-be “jump the broom,” a reminder of the only way slaves had to declare their commitment of marriage. Sabrina does not wish to do this, as she wants a “simple, modern and elegant” ceremony. Jason seems to mostly avoid comment on this and much of the rest of his mother’s actions. This draws Sabrina’s ire, and she challenges him to defend and fight for her. Jason is torn between his mother and his fiancée.

Meanwhile, Sabrina’s parents’ marriage is going through a trial of its own. They are obviously not in a happy place, but they both affirm after a particularly harsh argument that their marriage vows are non-negotiable, and they will do what it takes to hold to them.

Sabrina’s vow of chastity is an interesting but mixed thread in the movie, as it leads to many coarse jokes, but is also clearly affirmed as a positive thing.

There are a few other romance subplots, one between a younger man and an older woman. The younger man relentlessly pursues the woman, who half-heartedly rebuffs his advances. Then, there is the Maid of Honor who falls for the wedding chef. This one leads to a fairly sensual scene between the two.

As the wedding approaches, the tension between the Watson’s and the Taylor group gets stronger and stronger. Despite some attempts to extend an olive branch, open hostility breaks out between the two sides. Things reach a head when Mrs. Taylor, believing she is acting to protect her son from making a mistake, reveals a Watson family secret she overheard. The reaction is explosive, and it looks like the wedding is off. Can Sabrina and Jason’s relationship be salvaged from this blow?

Part of what makes JUMPING THE BROOM strong is the way in which the conflict between the families develops. It never feels contrived like MEET THE PARENTS. Instead problems arise naturally from actions and words that always seem appropriate and believable from the character. In short, it feels real and is therefore very engaging.

JUMPING THE BROOM places strong value on the sanctity of marriage, the importance of vows, and the power of prayer. It also supports chastity until marriage. Consequently, JUMPING THE BROOM is a surprisingly touching, heartfelt comedy for older audiences. The acting is great all around, as is the writing, and the pace is perfectly engaging the whole way through. Strong caution is advised however, as the movie is filled with quite a bit of coarse, suggestive humor. For more information, please see the CONTENT section above.

In Brief:

JUMPING THE BROOM is a surprisingly touching and sincere comedy for mature audiences about the struggles of an engaged couple. Jason and Sabrina have a whirlwind courtship and engagement, but their very different families only meet for the first time days before their wedding. Already feeling out of the loop, Jason's mother brings an attitude of dissension to the proceedings. The socio-economic differences between them don't help matters either. As tensions escalate, regrettable actions from both families do as well. Jason and Sabrina's relationship is tested in myriad ways. As a result, the young couple learns a lot about fighting the good fight for their marriage and relying on God to carry them through.

Wonderful acting, writing and directing along with strong Biblical messages about the sanctity and value of marriage are marred in JUMPING THE BROOM by too much sexual humor. MOVIEGUIDE® applauds this movie for its strong commendation of marriage, for affirming the value of chastity, and for its positive portrayal of the power of prayer. Caution is advised, however, due to the movie’s sometimes-lewd humor, along with a few sensual scenes. JUMPING THE BROOM is not for children.