THE BLACK DAHLIA Add To My Top 10
Release Date: September 15, 2006
Genre: Detective Thriller/Film Noir
Runtime: 121 minutes
Distributor: Universal Pictures
Director: Brian De Palma
Writer: Josh Firedman
Address Comments To:Bob Wright, Chairman/CEO
Ron Meyer, President/COO
Marc Shmuger, Chairman
David Linde, Co-Chairman
100 Universal City Plaza
Universal City, CA 91608-1085
Phone: (818) 777-1000
Web Page: www.universalstudios.com
Based loosely on a true murder case in 1947 Los Angeles, the chief mystery starts when the mutilated body of a promiscuous would-be actress in her 20s, Elizabeth Short, is found in a vacant lot. Dubbed "The Black Dahlia" by the people who knew her, the victim's death becomes the obsession of Det. Lee Blanchard, the partner and friend of Det. Dwight "Bucky" Bleichert, who narrates the story.
Lee is involved with a beautiful blonde named Kay, whom he saved several years ago from a brutal bank robber, soon to be released from prison. Kay is getting a little tired of waiting for Lee to marry her, however. She's clearly interested in Bucky, but Bucky is no back-stabber, and he keeps his relationship with Kay chaste and platonic.
As Lee becomes more obsessed with solving the case, Bucky turns up evidence that leads him to Madeleine Linscott, the rich bisexual daughter of a crooked real-estate tycoon and his alcoholic, bitter wife. Maddy looks like Elizabeth, and Bucky himself becomes obsessed with Elizabeth's murder as he starts an affair with Maddy. His investigation uncovers a sordid, nightmarish tale of ambition, lost dreams, deceit, sexual perversion, and madness.
De Palma's usual operatic style simply does not work with this genre. THE BLACK DAHLIA plays like a campy, overly melodramatic soap opera. The actors try to do their best, but their best efforts are undercut by some corny dialogue and the bizarre, but hilarious, performance by Fiona Shaw as Maddy's crazy alcoholic mother. Shaw's performance is in keeping with the campy melodrama of De Palma's approach, but it detracts from the more realistic acting from the rest of the cast. That said, the movie does evoke De Palma's usual themes of obsession, madness and sex.
The dialogue in THE BLACK DAHLIA is filled with anachronistic foul language and sexual immorality, including a graphic lesbian scene from a porno movie that leaves little to the imagination. Also, the movie's violence is very strong, but not as graphic as might be expected, especially considering the state in which poor Elizabeth Short's body was found. Finally, Bucky, the movie's ostensible hero, is a rather passive character and eventually takes an immoral solution to the corruption and cruelty around him.
In that light, it may be important to note that Elizabeth Short was nicknamed The Black Dahlia because of a detective movie out at that time, called THE BLUE DAHLIA. This movie was written by detective novelist Raymond Chandler, one of the inventors of this style of detective fiction. Unlike the anti-heroes in this movie, and many other contemporary movies, Chandler's detective hero in his novels remained a good knight. He was a tarnished knight, to be sure, and a tough egg, as they used to say, but he always retained a strong sense of moral integrity. Too many urban heroes in today's cinema seem to have lost that sense of morality and chivalry. Apparently, the further away Hollywood moves from the Christian traditions of the past, the worse our urban heroes become. Ultimately, THE BLACK DAHLIA seems to present viewers with a nihilistic vision of the human condition. Its vision may not be intentionally malicious, but it is very dark.
THE BLACK DAHLIA plays like campy, melodramatic soap opera. The actors try their best but are undercut by corny dialogue and the bizarre, but hilarious, performance by Fiona Shaw as Maddy's alcoholic mother. Shaw's performance matches the campy melodrama but detracts from the more realistic acting. The movie contains excessive foul language, violence and extreme sexual immorality.