Don’t Follow the Signal
Release Date: June 13, 2014
Starring: Brenton Thwaites, Olivia
Cooke, Robert Longstreet,
Sarah Clarke, Laurence
Fishburne, Jeffrey Grover,
Beau Knapp, Lin Shaye
Genre: Science Fiction/Action
Audience: Teenagers and adults
Runtime: 95 minutes
Distributor: Focus Features/Comcast
Director: William Eubank
Executive Producer: Richard Rothfeld
Producer: Tyler Davidson, Brian
Writer: Carlyle Eubank, William
Eubank, David Frigerio
Address Comments To:Brian L. Roberts, Chairman/CEO/President. Comcast Corp.
James Schamus, CEO, Focus Features (A Division of NBC Universal and Comcast)
65 Bleecker St., 2nd Floor
New York, NY 10012
Phone: (212) 539-4000; Fax: (212) 539-4099
When they arrive at a shack in the middle of nowhere, Nic and Jonah go inside to investigate. Desolate and abandoned, the two guys don’t find anything. Moments later, Haley starts screaming from the car. Nic and Jonah rush outside, see Haley flung into the air, and then they black out.
Nic wakes up in a white room dazed and confused. A man, Dr. Wallace Damon (Laurence Fishburne), sits across from him in a hazmat suit and interrogates Nic about what he had seen. Nic, concerned for his friends, asks to see Haley, but they have no intentions of letting him see her. As the interrogations continue, Nic grows more uneasy and plans to escape the underground holding cells he and his friends are occupying. Once he hatches his plan, he succeeds at getting himself and Haley out of the compound, but once outside, the desolate wilderness they’re in makes them wonder if they’re captive in Area 51 at all. The plot thickens, and strange things occur.
THE SIGNAL starts off quite normal and entertaining, but what begins as an extra-terrestrial suspense movie turns into a strange sci-fi movie that feels psychologically claustrophobic. With a painfully slow middle, the movie shifts tone a number of times and inserts a major twist at the end that makes the majority of the story illogical and redundant. Nonetheless, the acting is adequate and the cinematography is stunning, even if many of the slow motion shots seem to have no rhyme or reason.
As with the story’s quality, though things start off as potentially uplifting, the defeatist ending is neither redemptive, nor is it a morality tale. Rather, it’s a tragic hybrid of ambiguous paganism with humanist traits idolizing, at least in part, human endurance. That said, there are moral, redemptive moments of heroic self-sacrifice and of the friends fighting for each other, but without reward in the end. Ultimately, extreme caution is advised due to the movie’s mixed worldview, foul language and action violence.
THE SIGNAL starts off quite normal and entertaining. However, what begins as an extra-terrestrial suspense movie turns into a strange sci-fi movie that feels claustrophobic. Though it starts off as potentially uplifting, the story’s defeatist ending is neither redemptive, nor is it a morality tale. Rather, it’s a tragic hybrid of ambiguous paganism with humanist traits. Ultimately, extreme caution is advised for THE SIGNAL, especially due to its mixed worldview, defeatist ending and slightly excessive foul language.