LOST AND FOUND
Starring: David Spade, Sophie Marceau,
Artie Lange, Jon Lovitz,
Estelle Harris, Marla Gibbs, &
Runtime: 100 minutes
Distributor: Warner Bros.
Director: Jeff Pollack
Producer: Wayne Rice, Morrie Eisenman,
Andrew A. Kosove, & Broderick
Writer: J.B. Cook, Marc Meeks & David
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The plot is an afterthought at best, but basically LOST AND FOUND revolves around a restaurant owner named Dylan Ramsey (Spade) and his attempts to win the affections of his new neighbor, Lila (Sophie Marceau). Lila's chief appeal seems to be that she is tall and French. When Lila fails to respond to his advances, Dylan decides to hide her wayward dog, Jack, in his apartment. That way, he can spend a lot of time pretending to help her look for her pet, then emerge as a hero when he miraculously "finds" Jack.
A couple of lame subplots accompany the main plot, but they're not really worth mentioning. Lila's loutish ex-boyfriend arrives on the scene from France to reclaim his love and thwart Dylan's attempts to woo her. Jack the dog swallows a diamond ring, causing Dylan to go to great, often gross lengths (to be left to the imagination) to retrieve the jewel. Et cetera, et cetera.
Everything that happens in LOST AND FOUND is simply a contrived excuse for Spade to utter yet another caustic, frequently cruel one-liner (or to gratuitously abuse the dog - in an appalling attempt at humor). To top off the flimsy plot, the animal abuse, the obnoxious lead character and the movie's supporting characters are unappealing. Marceau is surprisingly dull. Apparently, even she could not enliven Lila's vapid character. Furthermore, she looks huge and oddly mannish next to the diminutive Spade. Talented comediennes Estelle Harris ("Seinfeld") and Marla Gibbs ("The Jeffersons") make brief appearances, but their presence is wasted, as is Jon Lovitz's cameo role as a "certified dog whisperer" (lest you be misled, that was the only truly funny line in the movie).
In another peculiar, almost macabre touch, comedian Artie Lange does a dishearteningly pale imitation of the late Chris Farley as Dylan's sidekick. The attempt to recreate the Farley-Spade combination only serves as a painful reminder of how good Spade could be when he played straight man to Farley, who died in 1997.
Despite his ongoing deceit and smart-aleck-punk demeanor, in the end our hero Dylan predictably gets the girl. After all, Spade co-wrote the screenplay! However, it's impossible to determine what Lila sees in her smarty-pants neighbor. Frankly, Dylan is a little creepy. He tries hard to be nice and romantic, but he can never shed his whiny, sarcastic tone, so his oily attempts at benevolence just seem smarmy. He manages to win over Lila, a struggling cellist, by giving her a formulaic "believe in yourself" pep talk, after which her fear of success magically evaporates, and she embarks on the road to self-help recovery. Later, Lila discovers that Dylan has been hiding Jack, and she gets really, really mad, but she forgives him after about five minutes. Thus, Dylan saves her from her cheating ex-boyfriend and her psychological demons - all in a couple of days!
LOST AND FOUND insults women and the intelligence of its audience with its condescending attitude toward the female sex and its cruel brand of humor. It glorifies deception and champions a Machiavellian approach to achieving one's goals. Furthermore, it's boring. Nothing about the plot is engaging, and none of the characters are compelling or sympathetic. Its only merits are its lack of on-screen sex and violence, unless putting a dog in a dryer count as violence. Some of Dylan's quips are clever and funny, but a few witty remarks do not make a movie. LOST AND FOUND isn't even a good dumb comedy like FLETCH or TOMMY BOY. Save your money or perhaps rent the latter movie, which will give you a good idea of what Spade can do in a supporting role. On his own, he can't hack it.