LORD OF WAR
The Profits of Pain
Release Date: September 16, 2005
Starring: Nicholas Cage, Jared Leto, Ian
Holm, Bridget Moynahan, and
Runtime: 122 minutes
Distributor: Lions Gate Films
Director: Andrew Niccol
Executive Producer: Fabrice Gianfermi, Bradley
Cramp, Gary Hamilton, Andreas
Schmid, James D. Stern, and
Producer: Philippe Rousselet and Andrew
Writer: Andrew Niccol
Address Comments To:John Feltheimer, CEO
Mark Amin and Michael Burns
Lions Gate Films
2700 Colorado Ave.
Santa Monica, CA 90404
Phone: (310) 449-9200
Fax: (310) 255-3870
This short experience insinuates that guns and bullets are the real culprits responsible for the death of the young man. But, is this a simplistic approach to a controversial subject or merely misdirection by the morally conflicted? LORD OF WAR tackles these issues and later weakly points out that these same tools can be used by some to keep peace instead of kill.
Immigrant Yuri Orlov, starting humbly in the Bronx, becomes a wildly successful international arms dealer who earns the title LORD OF WAR. The business of war is apparently lucrative for a few, but always dangerous and ethically off the charts. Yuri (Nicholas Cage) convinces his younger brother, Vitali (Jared Leto), to give up on the family restaurant and begin a “brothers in arms” partnership. Yuri, lacking any moral compass and having a natural talent to rationalize his own actions, adjusts well to his illegal lifestyle. For his part, Vitali finds comfort in his drug use, numbing his heart from the pain he sees on the battlefields.
Soon, Yuri is selling AK-47s by the kilo, offering tanks and military aircraft to third world countries, and finding buyers for his weapons of mass destruction. His wife, Ava (Bridget Moynahan), initially chooses not to know the truth of her husband’s shady dealings, but later is confronted with the thought that her house and every possession in it “has blood on it.” In contrast, Yuri agrees that some things may be black or white, but confides that his personal favorite color is gray.
Meanwhile, Yuri is relentlessly pursued by squeaky-clean Interpol agent Jack Valentine (Ethan Hawke). It is noteworthy for LORD OF WAR that the main character’s enemy is really the “good guy.” Valentine is an honorable and just man who is intent on stopping or slowing Yuri’s activities. He believes this LORD OF WAR is one of those keenly responsible for the thousands of lives lost through armed conflicts, civil wars, ethnic cleansings, and revolutions; but, Yuri sees his role as a “necessary evil,” choosing not to take sides or get emotionally involved with the specifics.
LORD OF WAR is a great story of a conflicted man who ultimately faces the consequences of his actions. As Jack Valentine points out, Yuri “will one day get what’s coming to him.” Regrettably, though faced with the prospect of losing everything and everyone in his personal life, Yuri chooses to ignore his last vestiges of conscience and continue in his blood-drenched lifestyle. It seems that it is the only thing in life where he finds any self-worth.
Dodging bullets and running amid the dead bodies, Yuri keeps reminding his brother, “This is not our war.” Watching children shot execution-style or merely for sport, Yuri maintains this position. When Vitali has seen enough, he risks his life and the lucrative deal to protect people he will never meet.
This movie is cleverly made, beautifully filmed, and the story’s characters are rich and compelling. The movie comes off a little preachy at times, but raises some legitimate concerns. The United States and the other major super-powers are painted as the real thugs responsible for arming the world and its psychotic dictators. The President is even called the “biggest gunrunner in the world,” but that label is uttered by Yuri, and could well be another attempt to rationalize his own illicit behavior.
LORD OF WAR contains some valuable moral lessons, but it is drenched in violent content, strong offensive language, drug use, sexual situations, some nudity, and strong elements of political correctness. In addition, it asks viewers to unquestioningly believe purported and suspicious “facts” (such as “there are more gun shops in the U.S. than there are McDonald’s” restaurants). Though cleverly executed, LORD OF WAR shoots itself in the foot by being a little too preachy, politically correct and self-righteous about Yuri's "profession" and about Yuri himself.
LORD OF WAR contains valuable moral lessons, but it is drenched in violent content, strong offensive language, drug use, sexual situations, some nudity, and strong elements of political correctness. For example, it asks viewers to unquestioningly believe purported and suspicious “facts” (such as “there are more gun shops in the U.S. than there are McDonald’s” restaurants). The United States and the other major super-powers are painted as the real thugs responsible for arming the world and its psychotic dictators. Though cleverly executed, LORD OF WAR is a little too preachy and self-righteous.