CITY OF HOPE
Release Date: October 11, 1991
Starring: Vincent Spano, Joe Morton,
Tony LeBianco, Anthony John
Denison, Barbara Williams,
John Sayles, Bill Raymond,
Angela Bassett, Chris Cooper,
Gloria Foster, & Josh Mostel.
Runtime: 129 minutes
Distributor: Samuel Goldwyn
Director: John Sayles
Producer: Sarah Green & Maggie Rend
Writer: John Sayles
Address Comments To:Mr. Samuel Goldwyn, Jr.
The Samuel Goldwyn Co.
10203 Santa Monica Blvd
Los Angeles, CA 90067
Two characters, who move in opposite directions, carry the thrust of the film: Nick (Vincent Spano) is the disillusioned son of a well-connected builder and wants out of the system, while Wynn (Joe Morton), a young, black city councilman with a conscience, desires to work within the system.
When quixotic Nick quits his no-work job at his dad's construction company, he hits the streets and gets involved in a robbery to pay off gambling debts. He also begins a romance with Angela, a high-school classmate. In the process, he incurs her ex-husband's wrath.
Wynn, on the other hand, attempts to rally the people in his ward to show the council they care about civic issues, but certain inflammatory individuals at the African-American Center deride him as pandering to the white man.
Then a racial crisis erupts when two black kids attack a white college teacher and tell the police that the professor had made homosexual advances to them. Wynn knows they're lying but must find a course that serves both his community and his conscience.
Meanwhile, Nick's father is caught up in a city scheme to put a profitable development in place of a slum apartment he owns. Unable to get the tenants out, they resort to arson, with tragic results.
Each of these plots, unfortunately, fails to define good or evil clearly. In fact, several subplots spin off from these basic plots adding to the busyness of CITY OF HOPE and contributing to its overall confusion and lack of clear definition as to its central message.
Film's acting is so-so, not helped by the camera's restlessness and lack of focus. Two episodes that concentrate on relationship, however, and belie this lack of focus are: Nick's honest and charming courtship with Angela, and the powerful, ironic closing scene with Nick and his father in which a deranged man is the only person who hears their cries for help.
Also detracting from the film are the numerous obscenities and profanities; the fairly graphic sex scenes (between Wynn and his wife); the implied fornication between Nick and Angela; the violence, often between Nick and his numerous "enemies"; and, the anti-Christian sentiment which Nick's sister expresses when she tells him that their "mom is in church praying for you, so don't turn her into a religious fanatic." How tragic to consider prayer in this light when Jesus said "Men ought always to pray, and not to faint" (Luke 18:1).
To some extent, CITY OF HOPE finds redemption in the final reconciliation scene between Nick and his father who confesses, "All my life I thought I was in control, but now I realize my life's a mess." Sadly, his confession comes as Nick is dying, so the film proves once again that "the wages of sin is death" (Romans 6:23)--a high price to pay indeed.