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THE PICKLE

What You Need To Know:

THE PICKLE is an unsuccessful attempt to blend satire on the film industry with ensemble character drama. While poking fun at the ridiculous plot of a film-within-a-film (a giant pickle which travels to another planet), the satire here is pretty lame--especially compared with the biting cleverness of THE PLAYER last year. Raunchy language, sex and some nudity bring the entire project down yet another notch.

Content:

(H, LL, SS, NN, A) 16 obscenities & 4 profanities; upper female nudity; blunt conversations about sex; sexual immorality implied; and, alcohol use and smoking throughout (primarily by one character).

More Detail:

In THE PICKLE, Harold Stone (Danny Aiello) is a late-50ish film director with a track record admired by fans but not necessarily by critics. An acute need for cash has prodded him to accept the assignment of directing an inane project called THE PICKLE. Now, on the eve of a sneak preview, Harold is literally seeing his life pass before him. During a crowded 36 hour period, he reconnects with his extended family. In the background is Harry’s Parisian girlfriend Francoise, who wants him to slow down. Sneaking a look at his cassette copy, she (and we) get a few glimpses at this ridiculous fantasy/pseudo-allegory in which a small cadre of farmers fly to another planet in a gigantic pickle. His embarrassment leads to a suicide attempt while friends and family are at the preview. However, a phone call from the projectionist says that the film looks like a surprise hit. Harry decides to upchuck his overdose and take another shot at life and film directing.

Veteran writer/producer/director Paul Mazursky evidently couldn’t decide whether THE PICKLE should be a satire on modern filmmaking and marketing (ground already covered with greater skill in THE PLAYER) or family drama (ground already with greater skill just about everywhere else). While THE PICKLE has a few clever gags, the whole package doesn’t hold much water. Raunchy dialogue, sex and brief nudity don’t add a bit to the overall picture.

Now more than ever we’re bombarded by darkness in media, movies, and TV. Movieguide® has fought back for almost 40 years, working within Hollywood to propel uplifting and positive content. We’re proud to say we’ve collaborated with some of the top industry players to influence and redeem entertainment for Jesus. Still, the most influential person in Hollywood is you. The viewer.

What you listen to, watch, and read has power. Movieguide® wants to give you the resources to empower the good and the beautiful. But we can’t do it alone. We need your support.

You can make a difference with as little as $7. It takes only a moment. If you can, consider supporting our ministry with a monthly gift. Thank you.

Movieguide® is a 501c3 and all donations are tax deductible.


Now more than ever we’re bombarded by darkness in media, movies, and TV. Movieguide® has fought back for almost 40 years, working within Hollywood to propel uplifting and positive content. We’re proud to say we’ve collaborated with some of the top industry players to influence and redeem entertainment for Jesus. Still, the most influential person in Hollywood is you. The viewer.

What you listen to, watch, and read has power. Movieguide® wants to give you the resources to empower the good and the beautiful. But we can’t do it alone. We need your support.

You can make a difference with as little as $7. It takes only a moment. If you can, consider supporting our ministry with a monthly gift. Thank you.

Movieguide® is a 501c3 and all donations are tax deductible.


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