"Never Be Afraid to Fall."

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What You Need To Know:
In terms of worldview, SOPHIE AND SHEBA leans towards the Christian view of empathy, family, and the ethical treatment of animals. Sophie and her family run a zoo for abandoned animals. Sophie has a strong bond with both her parents, treats God's creatures with dignity and respect, and helps a circus dancer process his guilt from a past traumatic event. It has decent cinematography, but the script leaves a lot to be desired. Moreover, there are scenes of animal cruelty, men getting into a fist fight, and a man going shirtless for a minute. Therefore, MOVIEGUIDE® recommends caution for older children and their families.
Content:
More Detail:
SOPHIE AND SHEBA is a 2010 Canadian family drama movie about a ballerina and her pet elephant working at a traveling circus. As the daughter of a struggling family zoo, Sophie (Brittany Bristow) must sell her pet Sheba the Elephant to Allistair Winston (John Rhys-Davies), a cynical circus owner. Out of desperation, she agrees to be a circus animal trainer in the hopes of earning Sheba’s freedom. Meanwhile, Sophie faces friction with Winston’s eccentric cast of performers. Can Sophie survive in this environment?
The movie follows Sophie, a 17-year-old with a passion for ballet and bonding with animals. She wants to graduate as a top-performing ballerina, but her family’s modest finances limit her abilities. From childhood, she developed a close friendship with Sheba, a fully-grown elephant who struggled to communicate with humans and other animals. In the present, Sophie’s parents sell the elephant to pay Sophie’s tuition for an elite ballet academy.
Out of frustration, Sophie crashes a TV interview with circus mogul Allistair Winston and accuses him of performing “animal cruelty” to Sheba, his newest animal attraction. To save his reputation, Winston hastily hires Sophie on the spot as his newest animal trainer. Sophie accepts the bargain on the condition that she could one day earn enough money to buy back Sheba’s freedom. Sophie interacts with the rest of Winston’s crew of aerial dancers, jaguar trainers, and other performers. She develops a close bond with some of these performers but soon learns of the circus’s tragic past. Will Sophie be able to overcome this trauma?
SOPHIE AND SHEBA succeeds on a technical filmmaking level but struggles to rise above its predestined mediocrity. The movie has decent editing and cinematography, but it blends in with every other family drama movie released in the late 2000s era. It has an uninspired “gold tint” color grading, and the camera angles are nothing to write home about.
In terms of worldview, SOPHIE AND SHEBA leans towards the Christian view of empathy, family, and the ethical treatment of animals. Sophie and her family run a zoo for abandoned animals. Sophie has a strong bond with both her parents, treats God’s creatures with dignity and respect, and helps a circus dancer process his guilt from a past traumatic event. Throughout the movie, Sophie befriends the other circus performers and convinces them that their boss isn’t what he seems. This movie isn’t explicitly Christian, but the protagonist takes a stand against animal cruelty and servitude. However, there is a dark truth.
In terms of problematic elements, SOPHIE AND SHEBA is somewhat surprising. The movie is devoid of blood, sex, and foul language, but has moderate bursts of violence. However, the characters briefly mention the death of a circus performer who lost her life after failing a critical aerial routine. In a few scenes, a trainer uses a whip against Sheba the elephant as punishment.
In one scene, two men get into a fist fight over a circus disagreement. A jaguar is shot to death with a hunting rifle (the death occurs off-screen, but the bullet shot echoes throughout the circus). Lastly, a man tries to shoot Sheba in the eye but misses his aim. There is no on-screen sex, but Sophie flirts and kisses a male circus trainer twice on-screen. In one scene, a male character is shown shirtless while cleaning up a circus arena.
The shining beacon of SOPHIE AND SHEBA is John Rhys-Davies’ performance as the antagonist. Davies brings a level of “aloofness” to an otherwise generic “evil circus capitalist.” Davies has a running gag of being a failed ventriloquist, and his “doll” is frequently commandeered by Sophie and her friends. It is the only spotlight in an otherwise bland production.
SOPHIE AND SHEBA offers some good values but is trapped in a circus of mediocrity. The protagonist is a staunch believer in protecting animals, has a strong bond with her family, and redeems one of the circus performers. It has decent cinematography, but the script leaves a lot to be desired. Moreover, there are scenes of animal cruelty, men getting into a fist fight, and a man going shirtless for a minute. Therefore, MOVIEGUIDE® recommends caution for older children and their families.