"Endlessly Boring, Violent and Dull"
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What You Need To Know:
No one in REBEL MOON – PART ONE: A CHILD OF FIRE shows any personality, including the heroine. She teams up with a space pilot named Kai and a few other interchangeably boring characters. They all face repetitive, highly violent battles on the way to a final showdown with the ruthless colonel. REBEL MOON – PART ONE also has brief references to pagan deities and an attempted rape scene.
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More Detail:
REBEL MOON – PART ONE: A CHILD OF FIRE is the latest cinematic disaster from director ZACK SNYDER, who single-handedly ruined the DC superhero universe with his pretentious, boring, hyper-violent takes on Superman, Batman and the Justice League. Somehow, Netflix decided to throw $90 million at him to rip off the final STAR WARS trilogy.
REBEL follows a young woman named Kora (Sofia Boutella), a nomad who’s been living quietly in a peaceful farming town occupying a moon called Veldt for two years. Veldt is part of the Motherworld galactic empire, whose king and queen were assassinated by an ambitious general named Balisarius, who wanted to rule as an emperor. Balisarius has picked a ruthless colonel named Atticus Noble (Ed Skrein) to take over and pillage all the moons in the empire.
When Atticus and his evil minions land on Veldt, he quickly murders the town’s leader and announces he will return in ten weeks to seize nearly their entire crop and food supply. Kora is pressed into leading an expedition to find a disgraced general named Titus (Djimon Hounsou), in the hopes that he can raise a group of warriors to defend Veldt.
Along the way, she teams up with a space pilot named Kai (Charlie Hunnam) and a few other interchangeably boring characters, and they all face repetitive, highly violent battles on the way to a final showdown with Atticus. After two hours and 15 minutes of endlessly narrated flashbacks to show Kora’s backstory and a seemingly endless series of shootouts and fights where people and aliens who are eviscerated, stabbed and whacked to pieces, the movie seems to come to a conclusion.
Then, a key character is revived via heavy-duty electrical shocks, and viewers are left with the knowledge that an utterly pointless Part Two is coming in April.
No one shows any personality in this movie, even Kora, who just mopes depressingly through all her talking scenes stitching together more slaughter. REBEL also uses her to keep an annoyingly woke trend going in science fiction, fantasy, superhero movies, where the female leads are unstoppable killing machines, but all men are helpless cowards ducking almost every fight.
Viewers may wistfully look back on John Williams’ amazing STAR WARS scores and wonder what went wrong with this movie, which is filled with dirge-like, depressing orchestral blasts of sound. While the CGI effects are well-done, the fact that they are used in more than two hours devoid of any sense of fun negates their impact.
One can’t watch REBEL MOON – PART ONE without seriously reflecting on the level of violence in the movie, which is brutal and almost incessant. However, many viewers, even Christian families, will be duped by the fact it’s just rated PG-13, because the ratings board (and many viewers these days) thinks it’s not “really” violent if it takes place in a “fantasy” world.
The movie’s villains also have a repellent attitude toward women. For example, an early scene shows the ruthless colonel’s men forcibly carrying a young woman off to be raped and forcibly kissing her as she screams. When Kora steps in to save her, the group’s leader sneers that she’ll be “dessert.” Earlier, the people of Veldt have a celebratory festival to false gods, where their leader exhorts them to “make love” promiscuously as an offering to the deities.
Watching brutal killings in any setting should be recognized as mentally and spiritually damaging. Most Marvel movies know where to draw the line and have plenty of entertaining pizzaz with charismatic performances, great jokes and a bright, joyous sense of color. REBEL MOON – PART ONE has none of that, however. Netflix viewers have rejected it roundly, as this movie dropped out of the Top Ten movies on the streaming giant after the first two weeks. Meanwhile, DC has finally wised up and replaced Director Zach Snyder with the far more entertaining James Gunn (GUARDIANS OF THE GALAXY series) now running the show. Here’s hoping Netflix also will get rid of Snyder, after facing the second half of this megabomb when Part Two drops in April.