Criminals Seeking Redemption
Starring: ** Criminals Seeking
Audience: Older teenagers and adults
Runtime: 100 minutes
Distributor: FilmDistrict/Sony Pictures
Director: Nicholas Winding Refn
Executive Producer: David Lancaster, Bill Lischak,
Linda McDonough, Jeffrey
Stott, Gary Michael Waters
Producer: Michael Litvak, John Palermo,
Marc Platt, Gigi Pritzker,
Writer: Hossein Amini
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Driver’s desire for redemption is fueled by his meeting Irene (Carey Mulligan), a young and seemingly single mother who actually has a husband in prison for theft. When her husband, named Standard, is released, he wants to go straight but is forced to rob a pawnshop in order to pay a crime syndicate off for protecting him in prison. Driver offers to be his getaway man, because he feels that he’s performing a greater good in helping Standard break free from his crimes and openly live a new life with his family.
The pawnshop robbery, however, is a setup and Standard is killed. This tragic turn of events leaves Driver with a desire to avenge Standard’s murder and protect Irene and her son from the crime bosses, who also want them dead. As he goes looking for the head criminal, Bernie (Albert Brooks), and his front man, Nino (Ron Perlman), Driver winds up killing several henchmen along the way before a final showdown.
DRIVE has a uniquely laid-back pace between its frenetic bursts of action. The central character’s quest to become a better man provides a level of depth to the movie. The unusual tone is heightened by a frequent use of songs that sound like they were created in the era of 1980s pop even though they are new, with the songs mixed with modern techno instrumentals.
The protagonist’s change of heart is exemplified by his risking his own life to help the ex-con and his wife when the ex-con is forced to do the robbery. When the husband gets killed, the protagonist again risks everything, including his life, to help save the ex-con’s wife and their child.
These moral, redemptive elements are marred by excessive foul language and some brutal violence from the criminals the hero is fighting. There’s also an action scene in a strip club that contains explicit nudity. The foul language, violence and nudity could perhaps have been cut back enough to make DRIVE a PG-13 action movie. As they exist now, however, they are excessive.
Of course, in the end, true redemption is not only turning away from sin, but believing the Good News of the Gospel of Jesus Christ, the Word of God made flesh who sacrificed Himself for us to redeem us from all wickedness, purify us and make us eager to do what is good (Titus 2:11-14).
DRIVE has a uniquely laid-back pace between its frenetic bursts of action. The central character’s quest to become a better man provides a level of moral depth. Despite the protagonist’s moral, redemptive efforts to stop the bad guys and help others, DRIVE contains an excessive amount of foul language and some brutal violence, mostly from the bad guys. DRIVE also has a scene with brief nudity set in a strip club.