Midnight in Paris

Romantic Libertine Romp

Content -2
Quality
None Light Moderate Heavy
Language        
Violence        
Sex        
Nudity        

Release Date: May 20, 2011

Starring: Owen Wilson, Rachel McAdams,
Adrien Brody, Kathy Bates,
Mimi Kennedy, Marion
Cotillard, Michael Sheen,
Carla Bruni

Genre: Comedy

Audience: Older teenagers and adults

Rating: PG-13

Runtime: 94 minutes

Distributor: Sony Pictures Classics/Sony
Pictures Entertainment

Director: Woody Allen

Executive Producer: Javier Mendez

Producer: Letty Aronson, Stephen
Tenenbaum, Jaume Roures

Writer: Woody Allen

Address Comments To:

Michael Barker, Tom Bernard and Marcia Bloom
Co-Presidents
Sony Pictures Classics (Sony Pictures Entertainment)
550 Madison Avenue, 8th Floor
New York, NY 10022
Phone: (212) 833-8833; Fax: (212) 833-8844
Web Page: www.sonyclassics.com; Email: Sony_Classics@spe.sony.com

Content:

(RoRo, Pa, PC, L, S, A, D, M) Strong Romantic worldview in comedy about a writer who travels to Paris with his fiancée and her parents for vacation, and finds he’s able to go back in time to the Roaring Twenties and meets famous writers, plus fantasy nominalistic elements and two politically correct jokes by the protagonist mock “right-wing Republicans” and the Tea Party in general; seven or eight obscenities and profanities; no violence; several humorous lines of dialogue about sexual activities and discussion of illicit offscreen relationships; no nudity; alcohol use; smoking; and, cheating and hiding the truth.

Summary:

MIDNIGHT IN PARIS, the latest Woody Allen comedy, stars Owen Wilson as Gil, a successful yet unfulfilled screenwriter in Paris who finds himself mysteriously transported back to the 1920s, where he meets Ernest Hemingway, F. Scott Fitzgerald, Picasso, and other acclaimed writers and artists. MIDNIGHT IN PARIS has a Romantic worldview that features brief foul language, innuendo, promiscuity, and plenty of social drinking.

Review:

MIDNIGHT IN PARIS is the latest Woody Allen comedy. As such, it contains some of the fantasy elements of some of his older movies, like THE PURPLE ROSE OF CAIRO, where a man from a 1930s movie steps out of the frame and enters the life of a woman neglected and emotionally abused by her husband.

The movie stars Owen Wilson as Gil, a successful yet unfulfilled screenwriter who hopes to become an acclaimed literary novelist. He and his fiancée Inez (Rachel McAdams) are visiting Paris with her parents, a city Gil finds fascinating because of its rich history from the 1920s literary scene of Ernest Hemingway, F. Scott Fitzgerald, Picasso, and other acclaimed writers and artists. Gil is uncomfortable with the modern-day changes in Paris, and dislikes a couple who are friends with Inez, so he opts to walk alone late one night through the city while Inez and her friends go dancing.

At the stroke of midnight, a luxurious 1920s-era car pulls up and tells him to climb inside. Once he does, he finds himself surrounded by people like Hemingway and Fitzgerald and his wife. They take him to a series of parties that seem real, but when he leaves each morning, the neighborhood around him transforms into modern-day drabness and he can’t find the car and the party the next night when he tries to prove what happened to Inez.

As Inez starts to thinks he’s crazy and starts spending more time alone with the male from her friend, Gil keeps going out at midnight and getting drawn further into a delight-filled social circle of the greatest writers and artists of the 20th Century. He also gets emotionally drawn to a woman named Adriana (Marion Cotillard), who bounces from relationship to relationship among the artists and starts winning Gil’s heart. [SPOILERS FOLLOW] Eventually, he has to confess he no longer feels Inez and he have anything in common, and she reveals she’s had an affair the whole trip with her male friend. Gil and Inez split up, with Gil staying in the city of his dreams but with a new romance brewing with a modern-day bookseller who loves the past as much as he does.

MIDNIGHT IN PARIS is a refreshing soufflé of a comedy that will appeal mainly to older bohemians, rather than mass audiences and younger viewers. It has fun with famous literary and artistic figures. Even the few sexual innuendos and references in the movie are relatively innocent, especially compared to other movies in the same genre, but the storyline does involve some promiscuity that is condoned. With only brief foul language, all the actors involved have a blast with their roles, especially the ones playing famous figures. The frequent casual drinking and smoking fit the setting of the 1920s era.

There are, however, a couple jokes made against “right-wing Republicans” and the Tea Party, but they are met with funny reactions in return by the Republican characters. MIDNIGHT IN PARIS has a Romantic worldview that features brief foul language, innuendo, promiscuity, and plenty of social drinking.

There are better movies to enjoy at the box office or on DVD. Please go to www.movieguide.org

In Brief:

MIDNIGHT IN PARIS is the latest Woody Allen comedy. The movie stars Owen Wilson as Gil, a successful, unfulfilled screenwriter who hopes to become an acclaimed literary novelist. He and his fiancée Inez are visiting Paris with her parents. Gil finds Paris fascinating because of its rich history from the 1920s literary scene of Ernest Hemingway, F. Scott Fitzgerald, Picasso, and other acclaimed writers and artists. One night, Inez goes out dancing with friends. Then, at the stroke of midnight, a luxurious 1920s car pulls up and tells Gil to climb inside. Once he does, he finds himself surrounded by people like Hemingway and Fitzgerald. Gil and Inez grow apart as Gil keeps going back in time.

In MIDNIGHT IN PARIS, all the actors have a blast with their roles, especially the ones playing famous figures. MIDNIGHT IN PARIS has a Romantic worldview that features brief foul language, innuendo, promiscuity, and plenty of social drinking. There are, however, a couple jokes made against “right-wing Republicans” and the Tea Party, but they are met with funny reactions in return by the Republican characters. Also, the worldview is Romantic, not Christian.