MATERIALISTS

"How Can You Know When You’ve Found the Right Person to Marry?"

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What You Need To Know:

MATERIALISTS is a light romantic drama with many comical moments about a dating consultant for wealthy clients in New York City. Lucy herself starts dating Harry, a nice wealthy financial consultant. However, she’s still friends with her long-time ex-boyfriend, a committed actor who may never earn much money. Lucy starts regularly sleeping at Harry’s fancy apartment, but John, the actor, is still carrying a torch for her.

MATERIALISTS is an enjoyable, well-written and well-acted romantic drama. The characters are appealing and good natured. The three characters have great chemistry together. MATERIALISTS has several positive insights about dating, romantic love and commitment. For example, it says a committed romantic relationship and marriage not only require mutual respect, but that mutual respect requires both love and an attitude that the other person is extremely valuable and precious to you. That said, the movie takes place in a secular world and has about 15 “f” words. It also has scenes implying the female is sleeping with her new romantic partner, and two or so politically correct moments. So, MOVIEGUIDE® advises extreme caution.

Content:

(Pa, B, CapCap, PP, PC, Ho, LL, S, A, DD, M):

Dominant Worldview and Other Worldview Content/Elements:
Light mixed pagan worldview with a solid moral premise where marriage is the ultimate goal and love, respect, friendship, commitment, and caring are supported, in a story about a dating consultant for wealthy clients in New York City who starts seriously dating and seeing a nice wealthy financial consultant but is still drawn to her ex-boyfriend, an actor, who’s also a nice guy but probably is never going to have much money, but the female lead and her new boyfriend start sleeping together, plus movie has a strong pro-capitalist subtext, and two or more politically correct moments, including the dating consultant talks briefly to a lesbian client in two or three montages of comical scenes with clients, and a few same-sex couples appear in an end credits scene set among a sea of customers at a large marriage license office in New York City (the movie is a rumination on romantic relationships but the story focuses on the consultant’s heterosexual clients and on two heterosexual relationships and general concerns regarding friendship, dating, romance, compatibility, love, commitment, traditional marriage, etc.);

Foul Language:
About 23 obscenities (including about 16 “f” words), one GD profanity, and one possible OMG profanity;

Violence:
No onscreen violence, but a professional dating consultant learns that one of her female clients was assaulted, and she rushes to the woman’s apartment later when the man who assaulted her seems to be stalking the woman’s apartment one evening (she comforts her former client);

Sex:
Implied fornication and sleeping together between one man and woman, plus a female client of a dating service for wealthy people says her last date assaulted her, and this upsets her dating consultant’s world because she set up the date, plus a side character is a client for a dating consulting company and she’s a lesbian, and there are a few same-sex couples among a large number of couples waiting to get marriage licenes, etc., at a large marriage license office in New York during an end credits scene;

Nudity:
No nudity;

Alcohol Use:
Some alcohol use;

Smoking and/or Drug Use and Abuse:
Some cigarette smoking, and woman says she uses marijuana but only at parties, and her dating companion says he does that too; and,

Miscellaneous Immorality:
Lying is part of the dating game depicted in this story about a dating consultant for a medium-sized company in New York City and her wealthy clients.

More Detail:

MATERIALISTS is a romantic drama with strong comical moments about a dating consultant for wealthy clients in New York City who starts dating a nice wealthy man but is still friends with her long-time ex-boyfriend, a committed actor who may never earn much money. MATERIALISTS is an enjoyable, well-written and well-acted romantic drama with some positive insights on finding a committed, loving romantic partner, but it’s rooted in a secular, nonbiblical worldview and contains lots of strong foul language, plus two or so politically correct moments.

The movie stars Dakota Johnson as Lucy, a tall, beautiful and personable dating consultant in New York City. She’s just had her ninth successful match that led to an actual wedding proposal. However, she’s had trouble finding a match for a 39-year-old woman named Sophie, who’s either too young or too old for her company’s wealthy male clients.

At the wedding for her ninth successful match, the bride suddenly has doubts about going through with the wedding. However, Lucy expertly reminds her that the groom is a really nice man who respects and values her greatly. Add some love and money, and you’ve got a good chance of having a strong marriage that truly lasts.

At the reception, Lucy meets a wealthy financial consultant named Harry, played by Pedro Pascal (who plays the Mandalorian in the popular Star Wars TV program on Disney+ and has been getting many other big roles in the last two years). Harry is a personable, good natured guy, and he’s clearly very interested in Lucy. However, at the wedding reception, who appears but Lucy’s long-time ex-boyfriend, John, played by Chris Evans of MARVEL’S THE AVENGERS. John is working as one of the waiters for the wedding caterer, a regular job he does to make ends meet because John is still a struggling actor waiting to find his big break. Of course, John may never get his big break, but he has no intention giving up on acting.

When John shows up at their table to give Lucy her typical order of a Coke and a beer, Harry tries to ignore John and Lucy as they happily greet one another. Although John and Lucy are still good friends, they both agreed to break up. Later, it’s revealed that they both see no way how they will ever make their relationship work, even though John still carries a torch for Lucy.

As Lucy and Harry start dating seriously, it looks like Lucy may have finally found the man she’s going to marry. A surprising plot twist decides the issue, leading to a heartfelt, satisfying ending.

MATERIALISTS is an enjoyable, well-written and well-acted romantic drama. The characters are appealing and good natured. Also, all three people involved in the love triangle are caring people. Lucy has great chemistry with Harry and great chemistry with John. The resolution of this love triangle is satisfying and well-written by Writer/Director Celine Song.

MATERIALISTS has several positive insights about dating, romantic love and commitment. For example, in finding a committed mate, the script opines that mutual respect between the two people doesn’t just involve a commitment to love the other person. It also involves both people considering the other person to be a valuable human being, especially a very precious person to them personally. MATERIALISTS suggests that both are vital for mutual respect and mutual commitment, especially if a successful, lasting marriage is the end goal.

That said, the movie’s story occurs in a secular, non-religious world. So, the movie’s vision of romance, love and marriage is not connected to God, a specific religion or the Bible. Of course, in a Christian worldview, mutual faith in God through the Gospel of Jesus Christ is the ultimate foundation for a healthy marriage. Studies have shown that sleeping together before marriage can increase the chances of a married couple being unhappy and getting divorced. They also show that men and women are happiest when they marry a person of the opposite sex and have children with that person.

MATERIALSISTS has lots of strong foul language, including about 15 “f” words. The movie also reveals that Lucy starts sleeping regularly at Harry’s fancy apartment. Finally, MATERIALISTS has some politically correct moments. For example, about two comical sequences show a few of Lucy’s clients discussing what they want in a relationship. One of the people is a black lesbian with conservative, traditional values, and the movie mocks her briefly for trying to find another lesbian woman with such values in New York City. There’s also an end credits scene of many couples waiting in lines at a large courthouse office for marriage certificates and marriages. Sone of the couples milling about are same-sex couples, but the camera doesn’t focus on any one couple.

MOVIEGUIDE® advises extreme caution for MATERIALISTS. It’s not the most offensive movie to come out of Hollywood, but it’s also not the cleanest, most positive movie either.


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