"Immoral Chaos in the Bahamas"

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What You Need To Know:
Like past MADEA movies, DESTINATION WEDDING has an immoral pagan worldview. The characters engage in gambling, physical violence, and dropping the "N" word more times than a hip-hop album. Madea herself punches two car thugs in the face, lights their car on fire, and crashes straight through a glass window. Moreover, Madea and the supporting cast make sexual remarks about the bride's alleged pregnancy. While there is an emphasis on traditional marriage and men trying to redeem themselves, it's offset by toilet humor and constant "N" word bombs. MOVIEGUIDE® urges extreme caution for teenagers and adults.
Content:
More Detail:
MADEA’S DESTINATION WEDDING is a comedy movie on Netflix. In this installment of the MADEA saga, Madea and her family visit her granddaughter’s out-of-the-blue wedding in the Bahamas. Tensions arise when Madea and her son, Brian, begin to doubt the bridegroom’s intentions. Meanwhile, the rest of the family erupts in chaos at the resort. Will Madea be able to save her family?
The movie centers on Brian (Tyler Perry), a divorced district attorney who wants to mend ties with his snarky daughter Tiffany. During a rocky reunion, Tiffany tells Brian, his mother Madea (played by Tyler Perry), and the rest of the family that she is getting married to Xavier, a man from Atlanta, Georgia, who appears to be from a rough background. Tiffany invites her family to the wedding at a resort in the Bahamas. Later, Brian and Madea grow suspicious of Zavier’s true motives, causing division between Tiffany and her relatives. At the same time, Madea’s extended family of senior citizens becomes addicted to the resort’s expensive amenities.
In terms of production value, MADEA’S DESTINATION WEDDING feels like a TV movie that was hastily put together. The movie meets Netflix’s standards, but it suffers from flat cinematography and pacing that drags on for eternity. Many scenes feature uninspired camera angles, minimal lighting, and editing that appear cobbled together. The movie is a textbook definition of being bland and soulless. But it goes deeper. DESTINATION WEDDING has abysmal sitcom-style writing.
The characters repeat the jokes five minutes longer than needed. The characters have less “entertainment value” than a nun’s bikini collection. But the worst offender is the dialogue. The characters use the “N” word at least a hundred times, and it quickly becomes tiresome. Without getting into spoilers, the movie tries to be serious in the third act. But by then, this “climax” feels completely disconnected from the rest of the movie.
Like past MADEA movies, DESTINATION WEDDING has an immoral pagan worldview. The characters engage in gambling, physical violence, and dropping the “N” word more times than a hip-hop album. Madea herself punches two car thugs in the face, lights their car on fire, and crashes straight through a glass window. Moreover, Madea and the supporting cast make sexual remarks about the bride’s alleged pregnancy. If you took out all this immorality, the main cast are unpleasant people who frequently argue with one another. This movie has very little entertainment value.
Fortunately, DESTINATION WEDDING proves that goodness exists in the world. Madea and her dysfunctional household show affection for one another. There is a traditional wedding ceremony that takes place between a man and a woman. Brian, Madea’s son/father of the bride Tiffany, tries to redeem himself in his daughter’s eyes. He shows regret about divorcing his former wife and attempts to ensure Tiffany is marrying a worthy man.
MADEA’S DESTINATION WEDDING is a poor man’s fever dream of a script. The movie is marred by obnoxious humor, morally repugnant themes, and a nonexistent plot. While there is an emphasis on traditional marriage and men trying to redeem themselves, it’s offset by toilet humor and constant “N” word bombs. MOVIEGUIDE® urges extreme caution for teenagers and adults.