"Trapped in a Nightmarish Show for Monsters"
None | Light | Moderate | Heavy | |
---|---|---|---|---|
Language | ||||
Violence | ||||
Sex | ||||
Nudity |
What You Need To Know:
THE WATCHERS is well shot, but it’s hard to watch. The performances are flat and show no emotion. They also make annoying decisions. Thus, the movie tries to scare viewers but comes up short. THE WATCHERS has some moral elements about protecting family and other people. However, it has a strong, unacceptable pagan worldview with false theology. The Watchers turn out to be creatures who once ruled the world like gods and can fall in love with humans. THE WATCHERS also has some foul language and nudity.
Content:
More Detail:
THE WATCHERS follows four people in Ireland stuck in a cabin in the woods and being watched by mysterious monsters called “the Watchers,” but when they try to escape, they experience and unleash the supernatural. THE WATCHERS suffers from flat characters and a strong, slightly mixed pagan worldview featuring false religion.
THE WATCHERS opens by following a man named John in the woods. He tries to escape but finds himself trapped in a loop. As the sun sets, an unseen monster drags him underground.
After that, the movie cuts to Mina, who works at a pet shop, delivering a bird to a customer out of town. Before leaving, she discloses it’s the anniversary of her mother’s death and goes out to a bar dressed up like someone else.
Mina drives deep into the woods, where her car mysteriously shuts down. She sees a sign and assumes someone lives nearby. So, she grabs the bird and wanders into the woods. Mina tries to turn around to go to the car, but it disappears. However, she finds a stranger named Madeline running through the woods and decides to follow her.
Madeline leads Mina to a box-shaped cabin with a one-way mirror wall. Two other characters, Ciera and Daniel, are also there. Outside, every night, mysterious monsters called the Watchers watch them through the one-way mirror.
During the day, Mina and the three other people leave to collect supplies. Mina convinces Daniel to lower her into a burrow, where the Watchers go during the day. Once down there, she takes many of their belongings, including a bike and camera, before encountering a Watcher as she’s leaving.
Back at the shelter, they set up the camera to see the watchers, but Ciera’s husband, John, appears instead. He knocks on the door for help, but they don’t open it. The Watchers leave, and the survivors go into a panic.
Flash forward to the winter. Tensions are high, food is low, and Madeline is rude to Daniel. On one of the unsuccessful trips to collect food, Daniel ties up Madeline and locks Mina and Madeline outside the shelter. The Watchers search for them, but the ladies sneak back inside and hide in an underground shelter under the cabin before the Watchers break into the above ground shelter.
Downstairs, they learn the truth about the Watchers. This leads to several more twists, including violence.
THE WATCHERS is interesting at the start, but that interest quickly fades. The visuals and music are excellent, but the performances drag the movie down. Every character is flat and shows only one emotion. Mina is so monotone it’s hard to believe she even cares that her life is in danger. Also, characters dump their trauma on others for no reason, which is an ineffective tool for manipulating the audience into empathizing with the characters.
THE WATCHERS has some moral elements about protecting family and other people. However, it has a strong, unacceptable pagan worldview with false theology. (SLIGHT SPOILER FOLLOWS) For example, without giving too much away, the Watchers turn out to be creatures who once ruled the world like gods and can fall in love with humans. THE WATCHERS also has some foul language and nudity.