The Homosexualization of America Continues
Release Date: April 09, 2010
Runtime: 116 minutes
Distributor: Screen Media Films
Director: Peter Bratt
Executive Producer: Dan Nelson and Tom Steyer
Writer: Peter Bratt
Address Comments To:Joseph E. Kovacs, President, Screen Media Ventures
Robert E. Baruc, President, Screen Media Films
757 Third Avenue
New York, NY 10017
Phone: (212) 308-1790; Fax: (212) 308-1791
The only thing Che loves more than restoring antique automobiles and suping up his lowrider car is his son, his best friend, Jesse, played by Jeremy Ray Valdez. That is, until Che discovers some incriminating photos of Jesse at a homosexual nightclub, kissing and grinding on another young man. Che’s relationship with his son quickly deteriorates into arguments and fistfights. Jesse enters his final weeks of high school and prepares to leave for college, but time is running out for Jesse’s father. Che must decide if he will cut off his son, his best friend, forever, or if he will accept Jesse’s homosexual lifestyle.
LA MISSION is a repulsive diatribe that relies on the same cliché talking points as previous homosexual-themed movies -- from the monologue of the disheartened young man who just wants people to accept him no matter who he loves to the strong father-figure who struggles with bigotry, eventually learning to accept his son’s sinful lifestyle.
The quality of the movie is nothing noteworthy. The performances are solid and the directing is unobtrusive, but the story is formulaic. Besides the homosexual propaganda, the movie’s other major failings come in the script’s foul language that includes 102 very strong obscenities, one profanity, one obscene gesture, and several uses of the “n” word, as well as some strong violence and other worldview problems with mixed paganism and false religions, including a shrine to the Hindu goddess, Kali. There is also some sexual content, such as a depicted scene of fornication, though nothing is graphically shown, and a scene of hundreds of shirtless men dancing in a homosexual nightclub that resembles a drunken, pagan orgy.
Iconic male archetypes continue to get homosexualized in Hollywood movies. LA MISSION is another movie in the long line of Hollywood movies trying to normalize homosexuality. Just like the “cowboys” (um, shepherds) of BROKEBACK MOUNTAIN, in LA MISSION, some tattooed Hispanic low-riders come out of the closet. Here, it is important to note that BROKEBACK MOUNTAIN and LA MISSION, as well as many other pro-homosexual movies, contain overt sexual content and strong obscenities. Once you flamboyantly violate God’s Law, other rebellious acts are sure to follow! If homosexual behavior were really okay, why do so many pro-homosexual movies contain all this other offensive content?
Thankfully, this movie has not gotten the mainstream media attention of prior movies such as BROKEBACK MOUNTAIN, so it will soon be forgotten. The content is deplorable, and not worth the attention of media-wise audiences or intelligent moviegoers.
The quality of LA MISSION is nothing noteworthy. The performances are solid but the story is formulaic. LA MISSION is a repulsive homosexual diatribe that relies on the same cliché talking points as previous homosexual-themed movies. It has some sexual content, including a scene in a homosexual nightclub that resembles a drunken, pagan orgy. The movie also has strong violence as well as an overabundance of foul language. It also contains worldview problems and false religion, including worship to the evil Hindu goddess Kali. LA MISSION is forgettable, and not suitable for media-wise viewers or intelligent moviegoers.