"Delightfully Redemptive"

Content: -1 Discretion advised for older children.

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What You Need To Know:

KINGDOM COME is a delightful, redemptive African American movie in the tradition of TO SLEEP WITH ANGER. Whoopi Goldberg stars as the matriarch of the Slocumb clan. She lives in a mythical town where the church is the center. Her husband dies while she reads a letter explaining the Gospel to him and quoting the scripture, “But the day of the Lord will come as a thief in the night.” (2 Peter 3:10) His relatives gather for the funeral. The family members have their problems, but they turn to the Lord for help when they assemble for the funeral inside the church. Even a very rebellious son accepts Jesus Christ and quotes Scripture.

KINGDOM COME is a low budget movie, but the characters are so wonderful that, with all their flaws, it would be nice to be with them at that church service in Lulu. These people are not polished, but they are human and compelling. The direction has a light touch, so the audience won’t feel that this movie is preaching at them. Also, the music is terrific. Regrettably, there is some foul language and some discussion about adultery and alcoholism, which are rebuked


(CCC, Pa, LL, V, S, AA, D, M) Very Christian worldview with answers to prayer, conversion & a focus on Jesus Christ, mitigated by pagan lifestyle of son who is converted & of other characters who are not Christian; 21 obscenities & 5 borderline profanities, plus some dialogue about sex; fistfight between brothers & threats of violence; girl partially clothed jumps into bed & references to sex, including adultery; married couples in bed with no nudity & scantily clad woman jumps into bed; alcohol use, including some alcoholism rebuked; smoking rebuked; and, adultery, lying & cheating rebuked.

More Detail:

KINGDOM COME is one of those redemptive African American movies that gets limited release which almost redeems all those slapstick, numskull R-rated black comedies. MOVIEGUIDE® has honored movies in this genre for years, such as ONCE UPON A TIME WHEN WE WERE COLORED, TO SLEEP WITH ANGER and SOUL FOOD. They are made especially for the African American audience, but are delightful movies that all audiences should enjoy.

The opening of the shot of KINGDOM COME looks down on a mythical central valley at the church in the center of Lulu, a mythical town. The next shot takes viewers outside the church. The final climax and denouement take place inside the church. However, in spite of the fact that the church is the central visual metaphor, the church is not being extolled; rather, Jesus Christ and His saving grace is. From beginning to end, this movie is explicit about where our hope lies.

In the first scene, Whoopi Goldberg, who plays Raynelle, or Momma as everyone calls her, is reading to her husband, Bud, a letter from his sister, Marguerite. Marguerite wants Bud to get right before the Lord before he dies. She chides him for not coming to church. She quotes 2 Peter 3:8ff, especially verse 10, “But the day of the Lord will come as a thief in the night.” She explains to him the Gospel of Jesus Christ. She asks if he wants to watch television rather than go to church, is there going to be TV in Hell? During this reading of Meg’s letter, husband Bud dies.

The minister visits and tells Momma that he did not know much about Bud. Momma says Bud was mean and surly. In fact, that’s what she wants on his gravestone. Momma explains that she was saved twenty years earlier, but Bud was incensed that she came to Jesus Christ, and so they stopped all marital activity. Shocked, the minister tries to be positive and translates Momma’s comments as, “He was quiet and kept his own counsel.”

The death requires a funeral, and so the Slocumb clan must assemble. The deceased’s sister, Meg, calls her no-good son, Royce, to ask her to drive him to Lulu. She reviles him for his wicked ways. She rebukes him for cursing, smoking and drinking. Though seething with rebellion, he decides to drive her to Lulu.

Momma’s boy, Junior, his wife, Charise, and their three children get in their rickety Cadillac to drive to the funeral. Their three children are brats, and Charise harangues Junior the whole way. Charise has two things on her husband. One, he lost their money on a stupid venture, and, two, he committed adultery. At one point, he tries to kill them by accelerating, but ends up on the side of the road. At another point, he pulls a gun on her, but she notices that it’s not loaded.

Momma’s other boy, Ray, and his kind and gracious wife, Lucille, live in Lulu. Ray was an alcoholic but now has gotten his life together. He works at a garage for Clyde, who is an alcoholic and who offers with a wink and a nod to destroy the funeral home if they make any mistakes.

Several other cousins and family members make up the rest of the Slocumb clan. These people have problems, and one by one they turn to the Lord for help. When Ray can’t stand the loss of his father anymore, he thinks about going back to the bottle. He prays and the pastor shows up in his car to ask Ray if he wants to follow him in his car to the church. By the end, even Marguerite’s rebellious son, Royce, has accepted Christ and quotes Scripture in the church service, to her amazement.

These are real people. They are not polished, but they are human and compelling. The sound in KINGDOM COME is spotty and some of the lighting is bad, but the music by gospel rhythm and blues star Kirk Franklin is terrific. The direction has a light touch, so the audience will not feel that the movie is preaching, although it is. In fact, even the Los Angeles Times was favorably moved by the deft direction by Doug McHenry.

Regrettably, some of the acting is spotty and the themes don’t all come together to weave a coherent plot. However, even as it failed to deliver on its way-too-many plot points, KINGDOM COME is lovable because it feels Real.

KINGDOM COME is a low budget movie, but the characters are so wonderful that, with all their flaws, it would be nice to be with them at that church service in Lulu.