BRINGING DOWN THE HOUSE

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Language        
Violence        
Sex        
Nudity        

Release Date: March 07, 2003

Starring: Steve Martin, Queen Latifah,
Eugene Levy, Joan Plowright,
Jean Smart, and Betty White

Genre: Comedy

Audience: Teenagers and adults REVIEWER:
Lisa A. Rice Peter Sanderson
(Steve Martin) is an
insecure-about-his-job,
divorced lawyer who's playing
around in law chat rooms and
meets a cyber-gal online. She
tells him she's blonde, but
has a dark side, and sends him
a photo of a gorgeous woman.
Peter says that he's a bit
older and has light, boyish
hair. (It's actually gray.)
They share legal advice and
trivialities about their
lives, and soon Peter arranges
for them to meet at his home.
He picks a convenient weekend
when his two children are with
his ex-wife (Jean Smart),
polishes himself up, lights
candles, prepares a romantic
spread of hors d'oerves and
champagne, and excitedly
answers the door. There stands
not a slim blonde, but a buxom
black woman, Charlotte Morton
(Queen Latifah). She is loud,
brash and rude, and when Peter
challenges her about the
picture, she tells him that
she never said she was the
blonde. She points to the
distant background of the
photo she had sent, where a
black woman is being shoved
into the back of a police car.
"That's me," she says proudly.
"See? I didn't lie." Peter
madly tries to get her out of
his house because his neighbor
(played hilariously by Betty
White) is highly suspicious
and prejudiced, and tells all
of the Sandersons' business to
her brother, senior partner at
Peter's law firm. She actually
comes over and asks if she
just heard someone speaking
Negro. Peter denies it and
pulls Charlotte back into the
house. Charlotte confesses
that she just got
(temporarily) released from
prison after being wrongfully
accused of robbery, and now
she wants Sanderson's legal
help in getting acquitted.
When he refuses, she threatens
to blackmail him by sending
all his Internet letters to
his law firm. Reluctantly, he
agrees to help. Charlotte
begins introducing Peter to
her world of the "hood" - the
urban street language, people,
and practices so opposite to
his elite life as a lawyer who
works only with exclusive
clients. As a matter of fact,
his current project is using
any means necessary to win
over a billionaire widow, Mrs.
Arness, played by the stuffy
British actress Joan
Plowright. Heaven has a way
of messing up poorly motivated
plans, however, and heaven's
tool in Peter's life turns out
to be the unpretentious
Charlotte. She soon insinuates
herself into his life and
teaches him her earthy ways,
which include street slang and
wild sexual talk. She assures
Peter that it will help him
get back together with his
ex-wife. In order to cover up
for her, he tells his ex and
his business associates that
she is the children's nanny.
As a matter of fact, she
begins to act like the nanny
after awhile, teaching the
young boy to read by
introducing him to pornography
. . . Lovely. Meanwhile, Mrs.
Arness drops by Peter's house
one night, basically inviting
herself to stay for dinner,
and Peter insists that
Charlotte dress up as a
servant. During dinner Mrs.
Arness continues to talk about
how much Charlotte reminds her
of her childhood servant who
taught her slave songs like,
"Is Massa Gonna Sell Us
Tomorrow?" Finally, after
Charlotte's had enough, she
spikes Mrs. Arness's food with
a laxative, but Peter
exchanges plates with her and
gets the curse himself. Things
go from bad to worse over the
next few weeks, as Charlotte
beats up Peter's
ex-sister-in-law, a gorgeous
young gal who uses old men for
their money, brings her
dangerous ex-boyfriend into
Peter's life, places him in a
precarious situation that
gives his ex-wife the wrong
idea, and almost gets him
fired from his job at the
firm. Peter must decide
whether or not to choose his
old proper ways of cowering
before the greed and elitism
of his law firm or to utilize
Charlotte's new ways of edgy
freedom and confidence to turn
the tables on his life. With
witty writing and talented
acting, BRINGING DOWN THE
HOUSE could have had the
potential to be a major
blockbuster. Steve Martin is
one of the great masters of
physical humor, Jean Smart is
always fun and classy in her
roles (and still looks as
fabulous as she did in her
"Designing Women" days), and
Joan Plowright and Betty White
are a riot as stuffy, nosey,
prejudiced women. Queen
Latifah is a good actor, but
her role in this movie is very
rude and raunchy. Steve Martin
is rude and raunchy with
her! The movie portrays this
couple, which has no natural
chemistry, "dirty dancing,"
pretending to copulate, Steve
gyrating with gourds in his
pants, grabbing Queen
Latifah's breasts, and so on.
The sad part is that it wasn't
necessary! So much of the
movie's humor was simply good,
clean fun with sidesplitting
shticks. It didn't need the
raunchy, rude sexual "humor"
to help things along. As a
matter of fact, MOVIEGUIDEĀ®
has found that when producers
add such objectionable
material, it hurts sales at
the box-office. When will
everyone learn? BRINGING DOWN
THE HOUSE has catfights, rude
scatological ("potty mouth")
comments, and offensive
gestures throughout its
hundred minutes. There are
racial slurs, old women
smoking pot, children lying to
and for their parents,
children deceiving and
sneaking out of the house at
night, people using "church
talk" to lie to each other,
and so forth. What could have
been charming, funny, comedic
escapism for parents and teens
must now, regrettably, by
relegated to the "extreme
caution" category. We
encourage moral audiences to
write to studios and remind
them that rude and raunchy not
only hurts families, but also
hurts profits! Better choices
for entertainment would
include JUNGLE BOOK 2 and GODS
AND GENERALS. Please address
your comments to: Michael
Eisner, Chairman/CEO Buena
Vista Distribution Co. (Walt
Disney Pictures, Caravan,
Hollywood, Miramax, &
Touchstone Pictures) 500 South
Buena Vista Street Burbank, CA
91521 Phone: (818)
560-1000 Website:
www.disney.com

Rating: PG-13

Runtime: 105 minutes

Distributor: Touchstone Pictures/Buena
Vista (Disney)

Director: Adam Shankman

Executive Producer:

Producer: Ashok Anritraj and David
Hoberman EXECUTIVE PRODUCERS:
Jane Bartelme and Queen
Latifah

Writer: Jason Filardi

Address Comments To:

Content:

(PaPa, Ab, LLL, VV, SS, AA, DD, MM) Pagan worldview elevating "the 3 G's" (gold, girls and glory) and many selfish, relativistic decisions are made, and woman pretends to be part of a Methodist choir and lies about getting Sanderson's charity work; 34 obscenities, one strong profanity, seven light profanities, and other rude, vulgar comments and several instances of ethnic slang; strong violence with punch-outs, cat fights, bad guys with guns, and comedic violence; offensive sexual mimicking while clothed, dirty dancing, grabbing breasts, man puts gourds in his pants and gyrates, and other sexual references; no nudity; many portrayals of alcohol use and drunkenness; smoking, marijuana use, reference to Ecstasy, and woman puts laxative into another woman's food; and, rudeness to elderly men, lying, cheating, gambling, and teenage deceit and disrespectfulness.

GENRE: Comedy

PaPa

Ab

LLL

VV

SS

AA

DD

MM

Summary:

In BRINING DOWN THE HOUSE, Steve Martin plays a lonely lawyer who meets a woman on the Internet who happens to be an escaped prisoner trying to clear her name of an armed robbery conviction. With foul language, sex and drugs, an otherwise well acted, well-written comedy will likely miss its potential at the box office and with the entire family friendly movie-going crowd.

Review:

Peter Sanderson (Steve Martin) is an insecure-about-his-job, divorced lawyer who's playing around in law chat rooms and meets a cyber-gal online. She tells him she's blonde, but has a dark side, and sends him a photo of a gorgeous woman. Peter says that he's a bit older and has light, boyish hair. (It's actually gray.) They share legal advice and trivialities about their lives, and soon Peter arranges for them to meet at his home. He picks a convenient weekend when his two children are with his ex-wife (Jean Smart), polishes himself up, lights candles, prepares a romantic spread of hors d'oerves and champagne, and excitedly answers the door.

There stands not a slim blonde, but a buxom black woman, Charlotte Morton (Queen Latifah). She is loud, brash and rude, and when Peter challenges her about the picture, she tells him that she never said she was the blonde. She points to the distant background of the photo she had sent, where a black woman is being shoved into the back of a police car. "That's me," she says proudly. "See? I didn't lie."

Peter madly tries to get her out of his house because his neighbor (played hilariously by Betty White) is highly suspicious and prejudiced, and tells all of the Sandersons' business to her brother, senior partner at Peter's law firm. She actually comes over and asks if she just heard someone speaking Negro. Peter denies it and pulls Charlotte back into the house. Charlotte confesses that she just got (temporarily) released from prison after being wrongfully accused of robbery, and now she wants Sanderson's legal help in getting acquitted. When he refuses, she threatens to blackmail him by sending all his Internet letters to his law firm. Reluctantly, he agrees to help.

Charlotte begins introducing Peter to her world of the "hood" - the urban street language, people, and practices so opposite to his elite life as a lawyer who works only with exclusive clients. As a matter of fact, his current project is using any means necessary to win over a billionaire widow, Mrs. Arness, played by the stuffy British actress Joan Plowright.

Heaven has a way of messing up poorly motivated plans, however, and heaven's tool in Peter's life turns out to be the unpretentious Charlotte. She soon insinuates herself into his life and teaches him her earthy ways, which include street slang and wild sexual talk. She assures Peter that it will help him get back together with his ex-wife. In order to cover up for her, he tells his ex and his business associates that she is the children's nanny. As a matter of fact, she begins to act like the nanny after awhile, teaching the young boy to read by introducing him to pornography . . . Lovely.

Meanwhile, Mrs. Arness drops by Peter's house one night, basically inviting herself to stay for dinner, and Peter insists that Charlotte dress up as a servant. During dinner Mrs. Arness continues to talk about how much Charlotte reminds her of her childhood servant who taught her slave songs like, "Is Massa Gonna Sell Us Tomorrow?" Finally, after Charlotte's had enough, she spikes Mrs. Arness's food with a laxative, but Peter exchanges plates with her and gets the curse himself.

Things go from bad to worse over the next few weeks, as Charlotte beats up Peter's ex-sister-in-law, a gorgeous young gal who uses old men for their money, brings her dangerous ex-boyfriend into Peter's life, places him in a precarious situation that gives his ex-wife the wrong idea, and almost gets him fired from his job at the firm. Peter must decide whether or not to choose his old proper ways of cowering before the greed and elitism of his law firm or to utilize Charlotte's new ways of edgy freedom and confidence to turn the tables on his life.

With witty writing and talented acting, BRINGING DOWN THE HOUSE could have had the potential to be a major blockbuster. Steve Martin is one of the great masters of physical humor, Jean Smart is always fun and classy in her roles (and still looks as fabulous as she did in her "Designing Women" days), and Joan Plowright and Betty White are a riot as stuffy, nosey, prejudiced women. Queen Latifah is a good actor, but her role in this movie is very rude and raunchy. Steve Martin is rude and raunchy with her!

The movie portrays this couple, which has no natural chemistry, "dirty dancing," pretending to copulate, Steve gyrating with gourds in his pants, grabbing Queen Latifah's breasts, and so on. The sad part is that it wasn't necessary! So much of the movie's humor was simply good, clean fun with sidesplitting shticks. It didn't need the raunchy, rude sexual "humor" to help things along. As a matter of fact, MOVIEGUIDEĀ® has found that when producers add such objectionable material, it hurts sales at the box-office. When will everyone learn?

BRINGING DOWN THE HOUSE has catfights, rude scatological ("potty mouth") comments, and offensive gestures throughout its hundred minutes. There are racial slurs, old women smoking pot, children lying to and for their parents, children deceiving and sneaking out of the house at night, people using "church talk" to lie to each other, and so forth. What could have been charming, funny, comedic escapism for parents and teens must now, regrettably, by relegated to the "extreme caution" category. We encourage moral audiences to write to studios and remind them that rude and raunchy not only hurts families, but also hurts profits!

Better choices for entertainment would include JUNGLE BOOK 2 and GODS AND GENERALS.

Please address your comments to:

Michael Eisner, Chairman/CEO

Buena Vista Distribution Co.

(Walt Disney Pictures, Caravan, Hollywood, Miramax, & Touchstone Pictures)

500 South Buena Vista Street

Burbank, CA 91521

Phone: (818) 560-1000

Website: www.disney.com

In Brief: