THE GARDEN OF THE FINZI-CONTINIS Add To My Top 10
No Place To Hide
Release Date: December 01, 1971
Runtime: 94 minutes
Distributor: Sony Pictures Classics
Director: Vittorio De Sica
Producer: Gianni Hecht Lucari & Arthur Cohn
Writer: Ugo Pirro & Vittorio Bonicelli
Address Comments To:
For their two beautiful children, the lovely Micol (Dominique Sandra) and the fragile Alberto (Helmut Berger), the Finzis courteously open their house to their children’s friends, among whom is included the earnest Giorgio , who has been under Micol’s spell since childhood. Giorgio represents middle-class Jewish Italians, who must suffer the harsh discrimination of Mussolini, barred from education and subject to all anti-Jewish laws. This and their vast difference in social standing poses problems for the couple. Giorgio seems to have the relationship in control, alternating between warm companionship and cold refusals of Micol’s tentative physical overtures. Giorgio is finally devastated by Micol’s affair with the Communist friend of her beloved brother.
As this human drama is being played out, the war against Jews begins to take on greater force. The Finzis begin to realize that their high gates and cultured ways do not make a difference to Mussolini. Their family of servants watch in sad dismay as the family is taken away by men from Mussolini, to be separated from each other and put in rooms that house groups of other Jews, awaiting their cruel intended fate.
A wonderfully photographed film, Vittorio De Sica contrasts brilliantly the apparent safety of the Finzis with the harsher reality outside the gates of their estate. Despite the civilized and generous courteousness they extend to the many friends of their children, their blindness to what is going on around them finally seals their fate. When they are apprehended, their shock is so dignified that it makes their fate even more outrageous. Separated, they can only give each other long, parting looks that make the film sadder than could any display of tears. This is a film that haunts with lyrical photography, but the almost surrealistic quality of the film does not take away the sadness of the story. The suffering is sensed more than seen, making the poignancy of THE GARDEN OF THE FINZIS-CONTINIS even more piercing.
With artful and exquisite images, the film nevertheless makes a strong sympathetic stand against Anti-Semitism, portraying these troubled families with pathos and compassion. There is no grand scheme nor plot to this film, just people caught in the angry anti-Jewish wave that hits the lovely town of Ferrara. There are a couple of sexual situations and a shot of full female nudity that could have been avoided, but otherwise the film is beautiful and gives an occasion to sadly ponder the ways of the ungodly.
Please direct your comments to:
Michael Barker, Tom Bernard & Marcie Bloom, Co-Presidents
Sony Pictures Classics
a Sony Pictures Entertainment Company
550 Madison Avenue, 8th Floor
New York, NY 10022