CLOWN IN A CORNFIELD

"Something’s Rotten in Small Town America"

What You Need To Know:

CLOWN IN A CORNFIELD is a horror comedy. Quinn, a female teenager, and her father, a doctor, move into Kettle Springs, a small town in the American heartland, far from their old Philadelphia home. They’re seeking a new start after Quinn’s mom died. The dying town once had a thriving factory with a giant sinister-looking clown as its mascot. Quinn quickly makes friends. After the annual Founders Day celebration, she sneaks out to attend a teenage party, where a horde of killer clowns emerge from the surrounding cornfield to kill everyone.

CLOWN IN A CORNFIELD features a smart script with surprising character depth, plenty of twists, darkly funny lines, and a positive father-daughter relationship. The filmmakers assemble an appealing young cast with Katie Douglas as the lead, and a terrific Aaron Abrams as her father. The story moves like a freight train. However, it’s marred by a strong Romantic, politically correct, abhorrent worldview with a negative, politically correct view of Small Town America. CLOWN IN A CORNFIELD also has frequent foul language, graphic violence, and two teenage boys who resume a homosexual relationship.

Content:

(RoRo, PCPC, APAP, HoHo, B, LLL, VVV, SS, N, AA, DD, MMM):

Dominant Worldview and Other Worldview Content/Elements:
Very strong Romantic, politically correct worldview with an Anti-American, politically correct view of small-town America (the villains turn out to be “strict” adults) and a developing homosexual relationship between two male teenagers (they kiss romantically near the end of the movie), but there’s a strong and positive father-daughter relationship;

Foul Language:
At least 52 obscenities (including at least 35 “f” words), and one “I swear to G*d” profanity;

Violence:
Numerous graphic killings in extremely unique ways, with lots of blood showing and splattering, most kills cut away from the actual murderous act and leave it to the imagination, many are portrayed comically because they’re so outlandish, two people get impaled on pitchforks, two are decapitated, a girl is electro-shocked but not killed, a villain is smashed by a car, and his blood drenches the windshield, one teenage boy gets eviscerated with his intestines pulled out, a villain is stabbed in the neck by a person acting in self-defense, a father tries to kill his teenage son by hanging him;

Sex:
A clothed teenage girl jumps on her teenage neighbor to his surprise and starts passionately kissing him and making it clear she wants intimate sex, but the guy stops her by admitting he’s actually a closeted homosexual, and he and another teenage male kiss romantically, and their relationship is affirmed by other people;

Nudity:
A teenage male is shirtless while doing bodybuildng exercises;

Alcohol Use:
Lots of teenagers drink alcohol at parties;

Smoking and/or Drug Use and Abuse:
Some teenagers are shown smoking marijuana; and,

Miscellaneous Immorality:
Two adult authority figures are revealed to be part of a group of murderous adults, and teenage girl sneaks out of her house to attend a teenage party.

More Detail:

CLOWN IN A CORNFIELD is a fast-moving, comical horror movie in the vein of the SCREAM movies, in which teenagers and a new doctor in a small rural town must fight a small group of people dressing up as clowns and brutally murdering the town’s most rebellious high school students. CLOWN IN A CORNFIELD features a smart script with some surprising character depth and a positive father-daughter relationship, but it’s marred by a strong Romantic, politically correct, abhorrent worldview with a negative portrayal of Small Town America, frequent foul language, graphic violence, and two major teenage male characters who begin to develop a homosexual relationship during the movie’s story.

Teenager Quinn Maybrook (Katie Douglas) and her father Dr. Glen Maybrook (Aaron Abrams) move into the small town of Kettle Springs in the American heartland, far from their old home in Philadelphia. They’re seeking a new start after Quinn’s mom died from a drug overdose. Quinn hates the small town, but she’s trying to help her father and is soon to graduate high school and go away to attend college anyway.

Quinn quickly meets her neighbor, Rust, a muscular guy with extremely awkward social skills, who warns her to steer clear of their school’s most popular clique. However, through a comical misunderstanding with a harsh teacher, Quinn winds up sharing detention with Cole, a good-looking guy who’s also the son of the town’s richest man. They have an instant attraction, and Quinn finds herself hanging out with his popular crowd after all, while learning that the dying town used to have a thriving factory called Baypen that had a sinister-looking giant clown as its mascot.

The factory burned down years ago, but the clown still is a menacing presence in the town. In fact, as shown in the movie’s opening sequence, the clown has been killing teenagers for decades. When Cole throws a big overnight teenage party after the town’s Founders Day celebration, Quinn sneaks out of her home and into the party – only to find a horde of killer clowns coming out of the surrounding cornfield and her friends fighting for their lives.

With her father also battling the killer clowns in order to save her, will the teenagers survive the night? Will she find new love with Cole? Can she and her father find a new start?

CLOWN IN A CORNFIELD has an amazingly positive portrayal of Quinn’s father, and the other entertaining filmmaking qualities mentioned above. Co-writer/director Eli Craig rose to cult popularity with his movie TUCKER AND DALE VS. EVIL, which had a similar mix of outrageous mirth and murder back in 2010. Here, he assembles an appealing young cast led by Katie Douglas as teenage lead Quinn, and a terrific Aaron Abrams performance as her dad. The script has plenty of twists and darkly funny lines, and the direction moves this movie forward like a freight train.

Of course, a major problem with a slasher comedy like this is all the graphic, bloody violence. For example, people are impaled on pitchforks or lose their heads literally. That’s par for the course for this genre, and the regrettably frequent foul language is another concern.

The biggest problem with CLOWN IN A CORNFIELD, however, lies in its Romantic, politically correct worldview. For example, the movie has a Romantic worldview with a strongly negative view of small town American life. The killers are adults who hate the fact that some of the town’s teenagers don’t appreciate the town where they live. Also, two of the town’s best-known teenage guys “come out” and admit they’ve been homosexual lovers in the past. At the end of the movie, they restart their relationship with a passionate romantic kiss in front of other teenagers. This scene is unnecessarily pushing the homosexual agenda on impressionable teenage viewers.

Thus, media-wise viewers will avoid CLOWN IN A CORNFIELD. The movie is to be viewed only, if at all, by adult and older teenager with extreme caution.


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