"Something’s Rotten in Small Town America"

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What You Need To Know:
CLOWN IN A CORNFIELD features a smart script with surprising character depth, plenty of twists, darkly funny lines, and a positive father-daughter relationship. The filmmakers assemble an appealing young cast with Katie Douglas as the lead, and a terrific Aaron Abrams as her father. The story moves like a freight train. However, it’s marred by a strong Romantic, politically correct, abhorrent worldview with a negative, politically correct view of Small Town America. CLOWN IN A CORNFIELD also has frequent foul language, graphic violence, and two teenage boys who resume a homosexual relationship.
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More Detail:
CLOWN IN A CORNFIELD is a fast-moving, comical horror movie in the vein of the SCREAM movies, in which teenagers and a new doctor in a small rural town must fight a small group of people dressing up as clowns and brutally murdering the town’s most rebellious high school students. CLOWN IN A CORNFIELD features a smart script with some surprising character depth and a positive father-daughter relationship, but it’s marred by a strong Romantic, politically correct, abhorrent worldview with a negative portrayal of Small Town America, frequent foul language, graphic violence, and two major teenage male characters who begin to develop a homosexual relationship during the movie’s story.
Teenager Quinn Maybrook (Katie Douglas) and her father Dr. Glen Maybrook (Aaron Abrams) move into the small town of Kettle Springs in the American heartland, far from their old home in Philadelphia. They’re seeking a new start after Quinn’s mom died from a drug overdose. Quinn hates the small town, but she’s trying to help her father and is soon to graduate high school and go away to attend college anyway.
Quinn quickly meets her neighbor, Rust, a muscular guy with extremely awkward social skills, who warns her to steer clear of their school’s most popular clique. However, through a comical misunderstanding with a harsh teacher, Quinn winds up sharing detention with Cole, a good-looking guy who’s also the son of the town’s richest man. They have an instant attraction, and Quinn finds herself hanging out with his popular crowd after all, while learning that the dying town used to have a thriving factory called Baypen that had a sinister-looking giant clown as its mascot.
The factory burned down years ago, but the clown still is a menacing presence in the town. In fact, as shown in the movie’s opening sequence, the clown has been killing teenagers for decades. When Cole throws a big overnight teenage party after the town’s Founders Day celebration, Quinn sneaks out of her home and into the party – only to find a horde of killer clowns coming out of the surrounding cornfield and her friends fighting for their lives.
With her father also battling the killer clowns in order to save her, will the teenagers survive the night? Will she find new love with Cole? Can she and her father find a new start?
CLOWN IN A CORNFIELD has an amazingly positive portrayal of Quinn’s father, and the other entertaining filmmaking qualities mentioned above. Co-writer/director Eli Craig rose to cult popularity with his movie TUCKER AND DALE VS. EVIL, which had a similar mix of outrageous mirth and murder back in 2010. Here, he assembles an appealing young cast led by Katie Douglas as teenage lead Quinn, and a terrific Aaron Abrams performance as her dad. The script has plenty of twists and darkly funny lines, and the direction moves this movie forward like a freight train.
Of course, a major problem with a slasher comedy like this is all the graphic, bloody violence. For example, people are impaled on pitchforks or lose their heads literally. That’s par for the course for this genre, and the regrettably frequent foul language is another concern.
The biggest problem with CLOWN IN A CORNFIELD, however, lies in its Romantic, politically correct worldview. For example, the movie has a Romantic worldview with a strongly negative view of small town American life. The killers are adults who hate the fact that some of the town’s teenagers don’t appreciate the town where they live. Also, two of the town’s best-known teenage guys “come out” and admit they’ve been homosexual lovers in the past. At the end of the movie, they restart their relationship with a passionate romantic kiss in front of other teenagers. This scene is unnecessarily pushing the homosexual agenda on impressionable teenage viewers.
Thus, media-wise viewers will avoid CLOWN IN A CORNFIELD. The movie is to be viewed only, if at all, by adult and older teenager with extreme caution.