"Mindlessly Pornographic, Politically Correct Paganism"
Sacha Baron Cohen knows who his enemies are.
The creative “mind” from England behind BRÜNO, Cohen’s enemies are Americans, Christians, Southerners, and now Orthodox Jews and African Americans who don’t share his pornographic taste in promoting the radical homosexual movement and other liberal causes. Especially those of you in California who voted for Proposition 8 in 2008, which legally protects the traditional definition of marriage.
Cohen’s new mockumentary (or fake documentary), BRÜNO, is worse than any decent human being can imagine. It is full of pornographic images unfit for human consumption. And, it’s being released by a major movie studio in Hollywood, one of the co-owners of the Motion Picture Association of America that is allowing this trashy movie to appear at your local movie theaters (many of them located in areas where children and underage teenagers congregate).
In the movie, Cohen (BORAT) plays Brüno, an effeminate homosexual fashion designer from Austria who has a TV show called “Funkyzeit” in Germany. Narrated by Brüno, this fake documentary, or mockumentary, shows in graphic detail his homosexual lifestyle, including some disgusting bedroom shenanigans with his assistant and homosexual lover.
Brüno gets blacklisted from the fashion industry after wrecking a fashion show by wearing a velcro suit. His male assistant/lover leaves him and his TV show is canceled.
Brüno decides to go to America to seek fame and celebrity. Lutz, his former assistant’s assistant who loves Brüno, follows him. Among the things he tries are acting, his own pornographic Cable TV fashion show, a modeling/acting agency, and non-profit work. Many of these attempts involve Brüno interacting with, and provoking, real people. Along the way, he and Lutz begin a homosexual affair that includes implied sado-masochism.
Brüno finally realizes that all the big male celebrities, like George Clooney and Tom Cruise, are heterosexual. So, he turns away his current homosexual partner Lutz. He also goes to a real Christian pastor and Christian doctor Paul Cameron to get transformed into a heterosexual. He also turns to a heterosexual swingers group and to a group of male Southern hunters to show him how to be a real man.
Everything culminates at an ultimate fighting competition, where a macho Brüno shows up and gets the lower-class Southern crowd to chant, “Straight Pride! Straight Pride!” Lutz, however, has other plans that night for Brüno. His plans finally get Brüno the celebrity and fame for which he has lusted. The movie ends with Snoop Dogg, the rap celebrity, saying a line with the politically correct, anti-Christian, unbiblical, and radical message that homosexuality is really no big deal.
As the CONTENT section for this movie shows, BRÜNO is full of extremely graphic and pornographic sex scenes, including perverse and disgusting homosexual and sado-masochistic practices as well as real men and women having real intercourse. Also, an extensive scene from Brüno’s TV reality show, shown before a small focus group audience of incredulous real people, shows a close-up of, allegedly, Sacha Baron Cohen’s private parts, which he purposely swings back and forth for the camera. There is also a scene of a fully nude blonde woman viciously whipping Cohen as Brüno repeatedly in a private bedroom at the swingers orgy. In that scene, Cohen is only wearing Brüno’s trademark, leopard pattern bikini briefs.
Apart from the graphic, pornographic sex scenes, nudity and vulgar sex references, the movie includes scenes where Cohen as Brüno deliberately provokes other people, including the Christian pastor. To his credit, the Christian pastor refuses to take the bait, but that is not true for many of the real people picked up off the street and placed into this movie, including a crowd of older African Americans on a local TV talk show and the group of “rednecks” attending the ultimate fighting competition. Besides promoting homosexuality during the sequence featuring the African Americans, Cohen as Brüno provokes them by claiming that he has adopted a black baby from Africa. He alleges to the black audience that he has given the baby a traditional African name, O.J. Of course, the audience is completely outraged by this comment and other apparently racist comments made by Cohen.
Other targets for Cohen include heterosexual men, hunters, American soldiers, parents, Hollywood agents, Jews, Arabs, and regular Americans on the street.
Of course, in all these scenes, the filmmakers are clearly mocking all these people, including the Christian pastor. All of them, including the African Americans, seem to be mocked because their conservative and traditional opinions and modesty against homosexual perversion and against same-sex marriage do not match the radical homosexual movement’s agenda that Cohen and his team are clearly promoting. According to some exit polls, for example, about 70% of African Americans in California voted for Proposition 8 in 2008, the proposition that made traditional male/female marriage the law of the land, thus outlawing same-sex marriage.
In addition to all this mockery and ridicule, Cohen dons a homosexualized and deliberately offensive Jewish outfit that provokes about three Orthodox Jews in Israel to chase him down the street. He also makes some positive comments about Adolph Hitler and a few other anti-Semitic, racist remarks during the movie.
Clearly, the agenda of the filmmakers here, including Cohen, is to get attention, and sell tickets, by being as outrageous and pornographic as they possibly can be. They also deliberately provoke other people, including virile heterosexual males and male Evangelical Christians, so that they, including Cohen, can show themselves to be superior and more “enlightened” than the people they are trying to provoke. Thus, BRÜNO is simply a mindlessly pornographic example of left-wing, pro-homosexual paganism.
Given that, one wonders why pornographic content and obscene, vulgar language is so much a part of so many movies and websites by people from the homosexual rights movement, and leftists in general. MOVIEGUIDE® believes that it is because the agenda these leftists and pro-homosexual activists and filmmakers have is an anti-Christian, anti-biblical and totally immoral agenda. And, it is Christianity and the Word of God, the Bible, that are still the standard bearers when it comes to morality, especially sexual morality and the morality that protects children and promotes God and Jesus Christ’s definition of marriage in Genesis 2:24 and Matthew 19:3-12. In that light, it is interesting to note that in Matthew 19:13-15, Jesus follows his defense of marriage by telling the crowd not to hinder children from coming to and following Him.
Ultimately, society protects children whenever it extols and follows the moral code depicted by God, including Jesus Christ, in the Bible. And, ultimately, atheists, leftists and radical pro-homosexual activists who promote pornography and a homosexual agenda are being hateful, evil, Christophobic bigots (and sometimes even Anti-Semites and racists).
Editor’s Note: It should perhaps be noted that General Electric, the company which owns the studio distributing this movie, is a big supporter of America’s most leftist president ever, President Barack Hussein Obama, not only through GE’s corporate decision makers, such as Chairman Jeffrey Immelt, but also through its movie studio and also through NBC “News,” which General Electric also owns.
(PaPaPa, HoHoHo, PCPCPC, AbAb, APAP, O, LLL, VV, SSS, NNN, A, DD, MMM) Very strong pagan, pornographic worldview with very strong and often pornographic scenes and vulgar references to homosexuality as well as to heterosexual sex and with a very strong politically correct agenda supporting the radical anti-Christian and anti-Jewish homosexual movement and several scenes mocking conservative Christians and Evangelical Protestants, Orthodox Jews and Orthodox Judaism, the military, Southerners, rednecks, heterosexual men, hunters, and African Americans, especially older blacks (apparently because blacks voted 70-30% in favor of traditional marriage in California in 2008 and tend to oppose the radical homosexual agenda of this movie’s pornographic filmmakers), plus a scene with occult content, which includes a psychic; at least 58 obscenities (including many “f” words in the second half and some German obscenities), three strong profanities and three light profanities, plus an implied reference to getting human feces in one’s eye and scene shows man has a nutrition regimen that includes bulimic vomiting into a fancy silver bucket; strong violence includes man gets whipped repeatedly in a somewhat vicious manner by a naked woman in one extended scene, crowd throws soda and other concessions into caged fighting ring where two men are kissing and taking off their clothes, someone throws a chair into the aforementioned ring, hunters shoot rifles, dead rabbit held up, implied sado-masochism, and protagonist provokes some people into becoming very angry and enraged; pornographic, extreme sexual content includes depicted homosexual sodomy (with small black bars covering up some graphic nude parts), homosexual sodomized with objects, man acts out homosexual oral sex in graphic detail with an invisible ghost, naked blonde woman repeatedly whips man somewhat viciously because he refuses to come to her bed and service her sexually and because he cowers in a corner under her repeated lashings, depicted fornication between heterosexual couples at swinger party (in one scene with a black bar covering up woman’s breasts and lower torso), depicted sex acts of some kind regarding two men and one woman on top of another woman (the exact nature of the acts, except for the apparent oral sex, cannot be clearly seen), depicted oral sex (including anal licking), goofy homosexual dancing, clothed heterosexual swinger man shows various sexual positions to clothed homosexual man pretending to be heterosexual and the actor portraying homosexual pretends to show (for comical purposes) homosexual interest in them unknown to the other man but known to the movie’s viewer, men kiss in various scenes, two men in ultimate fighting ring surrounded by fence instead of fighting as expected start kissing and taking off their clothes and fondling one another while “redneck” crowd gets more and more angry and starts throwing soda cups and other concessions (and eventually a chair) into the ring at the two men, depicted voyeurism by actor pretending to be homosexual man in this movie, fashion designer shows his pubic hair to male homosexual protagonist, graphic extended close-up shots of man swinging his naked private parts in front of camera (done just for shock value and perverse sense of humor), implied sado-masochism in scenes where men in revealing sado-masochistic leather outfits are shown locked together with chains and they cannot find the key, men in revealing sado-masochistic leather outfits chained together walk down street in front of people from the controversial Westboro Baptist Church in Topeka, Kansas carrying signs saying things like “God hates fags” and blaming acceptance and tolerance of homosexuality for the death of U.S. soldiers during the War on Terror (meaning that the deaths are God’s judgment on the U.S.), homosexual character depicts oral sex on invisible ghost of Milli from the pop duo Milli Vanilli in extremely graphic detail during extended scene with psychic medium watching in boredom and incredulity, man pours champagne from bottle sticking in another man’s rectum, photo of black baby from Africa in hot tub with white people clearly interested in doing some sex acts with one another eventually, implied bestiality when images of mice appear in bedroom while two men are chained together in bed, explicit verbal references to sex and homosexuality, etc.; explicit and extended close-up shots of nude man’s male member as he deliberately swings it, full frontal female nudity in one extended scene, man shows his public hair, a few shots of upper female nudity (especially in one extended scene), frontal shot of woman with black bar over her naked front torso while fornicating with a man under her, many shots of rear and upper male nudity, and shots of full rear male nudity with black bars over open rectum cavities; alcohol use; smoking and at least one drug reference to Ecstasy; and, very strong miscellaneous immorality includes lust for fame and celebrity, man deliberately provokes real people to get them angry and enraged, man proposes outrageous and dangerous modeling and acting photo and video shoots to real mothers/fathers and the parents say they have no problem with having their babies and children do the setups, positive statements about Adolph Hitler, borderline racist and racist comments against blacks by white homosexual protagonist (perhaps because filmmakers are upset that blacks voters in California voted 70-30% in favor of Proposition 8 in 2008 elections supporting traditional marriage), it is implied that homosexual protagonist had put black baby in a cardboard box in the luggage underbelly of an airline jet coming from Africa when he opens the box at the baggage pickup and takes out the baby, a Christian doctor makes what appear to be sexist comments against women to an alleged homosexual but the interview has clearly been edited so the real context for the comments seems to be missing, etc.
BRÜNO is an extremely pornographic comedy starring Sacha Baron Cohen as Brüno, a homosexual fashion designer from Austria. Brüno loses his German TV show and his homosexual lover/assistant. He eventually decides to go to America to become a celebrity. Lutz, his former assistant’s assistant follows him there because Lutz wants to become his new homosexual lover. To become famous, Brüno tries (among other things) acting, doing a reality television show, running a modeling/acting agency, and solving the Mideast Crisis. Only Lutz, however, has the real answer to Brüno’s insatiable lust for fame.
BRÜNO is an episodic, mindlessly pornographic pagan comedy. It is full of graphic depictions of homosexual sexual perversions and even copulating men and women. It also has excessive full frontal nudity, including some extended shots in close-up. In effect, the filmmakers, including Cohen, are just trying to be as outrageous, offensive and pornographic as they can be in order to get attention. They also promote a radical homosexual agenda in their movie. This agenda includes some racist attacks on African Americans, Orthodox Jews and Christians, as well as positive comments about Adolph Hitler. Please stop people from seeing this bigoted filth.