"Washed-Out Anti-Military Throwback"
(RoRoRo, PCPCPC, APAPAP, B, LLL, VVV, SS, NN, AA, DD, MM) Very strong Romantic worldview wherein war turns “good” people into monsters, with very strong politically correct, anti-military and anti-American elements (including American flag deliberately flown upside down out of pacifist anger), some references to prayer and the story of David and Goliath in the Bible, but not to a strong Godly purpose; at least 69 obscenities, four strong profanities, one light profanity, and a couple obscene gestures; very strong violence includes burnt body parts dismembered, man beaten up and kicked, chase scene, implied torture as some kind of joke, American soldiers drive van to hit kid in road in war zone where they fear being killed if they stop, talk about stabbing and dismemberment of body whose parts movie shows occasionally, and talk about King David killing Goliath; depicted sexual scenes in strip club; many shots of upper female nudity and exhibitionism at strip clubs, plus upper and rear male nudity in barracks shower; alcohol use and drunkenness; smoking and drug references, including a drug dealer is a soldier; and, stealing, attempted cover-up of murder investigation, single mother, and husband and wife fight about sending their only two sons into the military.
IN THE VALLEY OF ELAH stars Tommy Lee Jones as a father who tries to uncover the truth about his son’s brutal murder after the son returns home to his military base from the War in Iraq. This movie is just another in a long line of anti-American, anti-soldier movies from Hollywood that contains strong foul language, sex, nudity, and drug references.
IN THE VALLEY OF ELAH starring Tommy Lee Jones, Charlize Theron, and Susan Sarandon is a throwback to the 1970s when every young American veteran was a ticking time bomb just waiting to explode into violence. It is an anti-American, anti-military drama about an investigation into the murder and dismemberment of an American soldier who has returned from Iraq and who was waiting to go back there.
In the story, Tommy Lee Jones plays a stoic former Army investigator, Hank Deerfield, who served in Vietnam. His older son died in a helicopter crash in the Army. Now his younger son, Mike, is fighting in Iraq.
Mike returns from Iraq, but turns up missing and declared AWOL at the military base where he’s stationed. Hank immediately jumps in his truck and makes the two-day trip to the base.
There, Hank encounters an unsympathetic military leadership and an unsympathetic civilian police force, including Det. Emily Sanders played by Charlize Theron. Hank starts watching some of the garbled, disturbing footage from Mike’s cell phone, which Hank stole from Mike’s room at the barracks.
Then, Mike’s body turns up murdered, dismembered and charred beyond recognition. The military tries to take over the investigation without doing much investigating, but Hank shows Det. Sanders that the perpetrator deliberately dragged Mike’s dead body over the jurisdiction line onto military property.
What ensues from there is a series of revelations showing that the Iraq War turned Mike and his platoon into violent uncontrollable monsters.
IN THE VALLEY OF ELAH has some excellent performances, especially by Tommy Lee Jones, but the cinematography and editing are not impressive. In fact, the photography has that washed-out quality that today’s over-confident filmmakers mistake for “realism.”
Instead of American soldiers returning from Vietnam, the target of IN THE VALLEY OF ELAH is American soldiers returning from the Iraq War. Naturally, President Bush and his military commanders are seen in a negative light, and the movie ends with the stoic hero, played by Tommy Lee Jones, deliberately flying the American flag upside down. The obvious premise is that an immoral war is turning most of our soldiers into monsters.
The title for this movie comes from the story of the battle between David and Goliath in the Bible, which Hank tells to Det. Sanders’ own son. You might think that the moral of this story is that Americans should be brave and courageous when fighting evil terrorists and murderers in Iraq. The moral here, however, seems to be that Americans should not let the “Military Industrial Complex” send them off to any wars, even righteous ones.
IN THE VALLEY OF ELAH is just one of many anti-patriotic movies and documentaries against the Iraq War and the War on Terror being promoted these days. Don’t expect Hollywood to release any movies soon showing heroic American soldiers fighting evil terrorists in Iraq, or even Afghanistan. Apparently, it is too busy shilling for Osama Bin Laden, and the radical left extremist liars who hate the American flag and what it symbolizes. As even Hillary Clinton’s husband, Bill, once admitted about himself, these people “loathe the military.”
By the way, IN THE VALLEY OF ELAH also shows that American soldiers like alcohol, drugs and strip clubs. Hank is shown praying silently in one scene (to what, we don’t know), but none of the other soldiers are shown to be religious, despite much documentary evidence, including recent photographs from Iraq, to the contrary. Like patriotism, sincere belief in God and Jesus Christ is considered embarrassing, if not downright evil, in the eyes of many on the left. That’s why Oliver Stone’s positive depiction of a religious military man in WORLD TRADE CENTER, one of the winners last year at MOVIEGUIDE®’s Annual Faith & Values Awards Gala, was such a welcome, surprising relief.
IN THE VALLEY OF ELAH starring Tommy Lee Jones, Charlize Theron, and Susan Sarandon is a throwback to the 1970s when every young American veteran was a ticking time bomb just waiting to explode into violence. Jones plays Hank Deerfield, a stoic former investigator in the military who tries to uncover the truth about his son Mike’s brutal murder when Mike returns from the War in Iraq. What ensues is a series of revelations showing that the Iraq War turned Mike and his platoon into uncontrollable monsters. Despite an excellent performance by Tommy Lee Jones, the directing, cinematography and editing of IN THE VALLEY OF ELAH are not impressive. Also, the movie is anti-American and anti-military, and ends with the stoic hero deliberately flying the American flag upside down. The premise is that an immoral war is turning most of our soldiers into monsters. The movie also shows that American soldiers like alcohol, drugs and strip clubs. Hank is shown praying silently in one scene, but none of the other soldiers are shown to be religious. Ultimately, this is just another in a long line of anti-American, anti-soldier movies from Hollywood.