"Truncated Bloody Revolution"
THE WIND THAT SHAKES THE BARLEY is an Irish movie that tells about two brothers caught up in the Irish rebellion against the British in the 1920s who take opposite sides when a compromise is reached. Radical revolutionaries are the heroes in this propaganda movie, and everyone else is a villain, especially the British and including Christianity, with lots of foul language and extreme violence depicted.
To quote the New York Times, not known for its conservative perspective, about Marxist director Ken Loach’s new movie, THE WIND THAT SHAKES THE BARLEY, “Ideology – Marxist, anti-imperialist, aligned with the perceived interests of the powerless and the marginal – is the engine that drives his stories. The clarity and force of those stories is considerable, but their bluntness sometimes sticks in the craw of critics, who often scold Mr. Loach for lacking subtlety.” If only Christians could understand Marxism as well as socialists like Mr. Loach (MY NAME IS JOE, BREAD AND ROSES and LAND AND FREEDOM), it would have been driven from the world stage long ago.
THE WIND THAT SHAKES THE BARLEY is an Irish movie that tells about two brothers caught up in the Irish rebellion against the British in the early 1920s. Damien, played by Cillian Murphy, is studying to be a doctor. Teddy is an IRA commander. One day after a field hockey game, they are harassed by a group of thuggish, imperialist British soldiers who kill one of their members for giving his name in Gaelic. Teddy asks Damien when he’s going to stand up for the revolution. Soon, they are hauled off and thrown into prison. In one of the meanest scenes in film history, Teddy’s fingernails are pulled out gruesomely. This causes Damien to join the IRA. They find the traitor, a young boy, and Damien shoots him. They also shoot the local British landlord.
The war with the British rages and, eventually, they liberate their village. Some of them want to raise the green flag of Ireland. Others want to raise the red flag of Communism. When the revolutionary council convicts a local loan shark for gouging a poor old peasant woman, Teddy sets him free. Teddy says they need his money to buy arms. Teddy says he’s a republican, to which Damien replies that he’s a democrat. They are not referring to American political parties. They are referring to political philosophies. Republicans fought for freedom and, winning the battle, Ireland became one of the wealthiest countries in Europe. The democrats fought for radical socialism or Communism. Several of them, who are the heroes in the movie, make the case for abolishing private property, public ownership of everything, abolishing religion, and the other Marxist principles that destroyed Eastern Europe and led to the murder of more than 100 million people in a mere 50 years during the last century.
Eventually, when the republicans form a truce treaty with the British, the democrats are horrified. They don’t want to be part of the Commonwealth, and they don’t want to acknowledge the King. Damien leads some of the hardcore Red revolutionaries to continue the fight against their new oppressors, including his brother. He is captured, given a court martial, and executed.
In Loach’s Marxist world, the Red Army are the heroes. Everyone else is a villain. The British, led by England, are mere caricatures. The audience never gets to know any one of the British soldiers. They attack, kill and torture. They use the “f” word constantly. The republicans are feeble, deluded loan sharks, quislings and oppressors. Also, in one scene, the Catholic priest defends capitalism and freedom, but the radical, democrat socialists in the church walk out on him. As Damien says walking out of the church service, “The Catholic Church is always on the side of the oppressors.” This should come as a surprise to many Catholics who have given us saints such as Mother Teresa and many others who have fed the poor, the hungry, the sick, and the dying.
History doesn’t matter very much for Mr. Loach. When this movie won the major award at the Cannes Film Festival, there was an uproar, with even Irish historians saying the events in the movie are portrayed inaccurately. This is not history. This is deceitful, anti-Christian, Communist propaganda. Thinking back to our own youth, it will appeal to young people without faith, who have a black and white radical view of the world. Damien is a powerful martyr for the Revolution. Most people over 24 will not see it because of the gruesome violence. The fact that it received the Cannes Film Festival prize tells us the Cannes Film Festival is even more goofy than the Oscars.
Now, for a little aside, the fact that Ireland has prospered more than almost any other country in Europe is because it has pursued free enterprise with a passion. Corporate taxes are low, people are free to pursue their dreams, and Ireland is one of the few countries which people want to move to instead of away from it. This capitalist environment is abhorrent to Ken Loach. He would like a Stalinist dictatorship of the proletariat, according to this movie. One can only wonder how much he hates the world to harbor this vision of repression. Please pray for Ken Loach.
(HHH, CoCoCo, AbAbAb, C, B, RHRHRH, AcapAcapAcap, LLL, VVV, S, A, D, MMM) Very strong humanist (HHH), blatantly Communist (CoCoCo), anti-Christian, anti-religious (AbAbAb) worldview with some Christian references (C) as well as IRA members walk out on priest urging compassion and Christian virtues (B), very strong revisionist history (RHRHRH) where the British are nothing more than caricatures, very strong anti-capitalist content, plus Catholic priest defends capitalism and freedom, but movie rejects his pleas (AcapAcapAcap); a flood of "f" words of which we counted 67 and at least eight profanities; extreme violence that caused one reviewer to leave the audience such as British use rusty pliers to pull fingernails out of fingers, British use rusty scissors to cut women's hair and leave bloody patches, kickings, beatings, pointblank shootings, beating elderly people, beating women, with lots of blood; start of possible sexual relationship but nothing shown; no nudity; lots of drinking; lots of smoking; and, extreme usury rebuked, labor unions refuse to carry British soldiers, lying, lots of corruption, stealing, and radical revolution promotion at the expense of nuance.
THE WIND THAT SHAKES THE BARLEY is an Irish movie about two brothers caught up in the Irish rebellion of the 1920s. Damien is studying medicine. Teddy is an IRA commander. One day after a field hockey game, they are harassed by a group of thuggish British soldiers who kill one of their players. Soon, Teddy and Damien are thrown into prison, where Teddy is tortured gruesomely. This causes Damien to join the IRA. The war with the British rages, and, eventually, they liberate their village. Teddy just wants to fight for liberty, but Damien decides radical revolution is the answer. Damien leads some hardcore Red revolutionaries to continue the fight against their new oppressors, including his brother.
The radicals are the heroes in this movie, which makes the case for abolishing private property, public ownership of everything, abolishing religion, and the other Marxist principles that destroyed Eastern Europe. Everyone else is a villain, and the British are mere caricatures. Also, when one priest defends capitalism and liberty, Damien says, "The Catholic Church is always on the side of the oppressors." The movie also contains extreme violence and lots of foul language.