"Missing the (Action) Point"
What You Need To Know:
ACTION POINT contains few laughs during the non-stop violence and real-life stunts featured in many Johnny Knoxville movies. However, it features surprisingly affecting performances from the stars, especially in a brief but powerful subplot about Knoxville’s character and his estranged daughter. The movie also has a pro-capitalist plot involving a small business fighting Big Business aligned with Big Government. The rest of the movie, though, contains abundant foul language, offensive obscene and lewd behavior, explicit nudity, and substance abuse. The excessive immoral behavior in ACTION POINT is unacceptable.
ACTION POINT is a low-brow, excessively obscene, and violent action comedy about a man who tries to save his failing amusement park by advertising it as the area’s dangerous attraction. The movie contains the non-stop, comical violence and real-life stunts that made Johnny Knoxville famous, as well as generally puerile and sophomoric humor, simulated sex and copious obscenity. However, it also features surprisingly affecting performances from the stars, including Knoxville, in a brief but powerful subplot about the relationship between an estranged father and daughter, which goes a long way toward redeeming the otherwise miserable movie.
D.C. (Johnny Knoxville) owns a flagging amusement park, Action Point, that’s literally falling apart in the face of the competition. Just as his daughter (Boogie, played by Eleanor Worthington-Cox) comes to visit him for the summer, the owner of the competing large corporate amusement park (Knoblach, played by Dan Bakkedahl) makes his final push to drive D.C. and his adopted gang of misfit teenage employees out of business. Rather than cave to pressure, D.C. decides to turn his park’s problems into its selling point: He hypes Action Point as the most extreme thrill-park in the area: no speed limits, no rails, no seat belts, just pure adrenaline-pumping spills and excitement. Hilarity follows, or, at least it’s supposed to follow.
The fight against big business and city hall brings everyone together, including D.C. and his estranged daughter. Eventually, Knoblach’s tactics become more desperate and unethical, but more effective. As the noose tightens, will D.C. be able to overcome the pressure arrayed against him and save his park? Will he be able to save himself from his self-destructive habits long enough to rekindle his relationship with his daughter?
ACTION POINT delivers what you would expect from any Johnny Knoxville movie: slapstick comedy built around extreme stunts. Knoxville paid the price in real life for the stunts. “I got hurt more on this movie than any movie I’ve ever done,” he’s reportedly said. He suffered four concussions, broke his wrist, busted his knee, got stitches, got whiplash, lost two teeth, and popped his eye out of its socket.
Watching ACTION POINT will take a similar toll on the viewer. Aside from two scenes (when the crew boycotts itself for publicity and when young children surreally wage war against alligators in “Kids Land”), the laughs are extremely few. The movie features a virtually endless stream of obscenities and profanities in every conceivable variety, sometimes three obscenities and a profanity in a single sentence. A third of the way into the movie, Boogie describes the park by saying, “It’s like it’s one continuous train wreck.” That could serve as a description of the movie.
In the last 15 minutes, which are told in flashback, the movie suddenly reveals real heart and strong dramatic performances depicting the dysfunctional relationship between D.C. and his daughter. Then, without his ever-present can of Blatz beer, Knoxville gives an astoundingly affecting dramatic performance of a heartbroken father watching his character’s daughter’s life slip away. As the daughter, Eleanor Worthington-Cox is perfectly in tune emotionally with every one of her scenes, whether as a conflicted teen, the mischievous troublemaker or the abandoned child longing for her father’s love and attention. This 15-minute subplot is so strong that it nearly redeems this excessively immoral (and not very funny) movie. Perhaps someday Knoxville will get the dramatic cameo role he deserves. In the meantime, Eleanor Worthington-Cox is an actress whose career might be worth following
The soundtrack of 1970s and ’80s rock and country adds more to the movie than expected. In fact, in a movie that needs some heart, it adds a needed touch of realism. Knoxville also deserves points for demonstrating the harms of crony capitalism, when Big Business teams up with Big Government, as well as his scattered shots at PC culture and helicopter parenting.
Sadly, nothing can save a movie that features an obscenity or profanity virtually every sentence, full-frontal male nudity, simulated sex, bestiality, excessive alcoholism (and sometimes illegal drug abuse), and wall-to-wall comic violence.
ACTION POINT deserves some credit for its all-too-brief redemptive subplot and strong performances, but otherwise is excessively immoral and unacceptable.
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