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MY BIG FAT GREEK WEDDING

"Celebrating One’s Heritage"

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What You Need To Know:

MY BIG FAT GREEK WEDDING is a big fat independent movie that’s a celebration of one woman’s ethnic heritage. At 30, frumpy Toula Portokalos still lives with her parents and works at her father’s Greek restaurant in Chicago’s Greek section. After spying a handsome college teacher, Ian, at the restaurant, Toula decides she needs a makeover. She meets Ian again, and the two secretly begin a romantic relationship. This upsets her traditional-minded father, who thinks Toula should marry a Greek man and have Greek babies. The rest of the story tells how Toula and Ian manage to soften her father’s heart and incorporate Ian into Toula’s family, including the family’s Greek Orthodox faith.

Although it is clear that Toula and Ian are not super-religious, MY BIG FAT GREEK WEDDING is a warm-hearted, often amusing celebration of Toula’s family heritage, including its Greek Orthodox Christian background. There is even a baptism scene where Ian gets baptized. MY BIG FAT GREEK WEDDING also contains, however, a moderate amount of mostly light foul language, a short sequence of implied pre-marital sex and the stereotypical drinking of an alcoholic drink brought over to America by Greek immigrants.

Content:

(CC, B, Pa, LL, V, S, NN, A, D, M) Nominal Christian worldview celebrates marriage, family, cultural roots, and remnants of woman’s nominal Greek Orthodox beliefs (including a baptism and wedding scene), but with pagan, libertine view of pre-marital sex and a comical reference to Greek gods guarding a house; four light obscenities, one strong profanity referring to Jesus and nine light profanities; brief slapstick violence; implied fornication and passionate kissing; female cleavage and upper male nudity as man lies with girlfriend after sex, then he proposes marriage; alcohol use in ethnic party atmosphere and couple gets tipsy; smoking; and, 30-year-old Greek American woman still lives with her parents and lies to them about dating a non-Greek man, but she apologizes for lying.

More Detail:

MY BIG FAT GREEK WEDDING is a big fat independent movie that’s a celebration of one American woman’s ethnic heritage. What it lacks in story structure, it almost makes up for in heart and soul.

At 30, frumpy Toula Portokalos still lives with her parents and works at her father’s Greek restaurant, Dancing Zorba’s, in the Greek section of Chicago. One day, Ian Miller, a handsome teacher from a small local college, comes into the restaurant, and Toula is smitten. With help from her mother and her aunt, who runs a travel agency, she convinces her father to let her attend some computer classes and, eventually, to exchange places with one of her cousins who now works at the agency with his mother. Toula also gives herself a physical makeover. She meets Ian again, and the two secretly begin a romantic relationship. This is surely bound to upset her traditional-minded father, who thinks his daughter should marry a Greek man and have Greek babies. The rest of the story tells how Toula and Ian manage to soften her father’s heart and incorporate Ian into the family, including the family’s Greek Orthodox faith.

It is clear in this movie that Toula and Ian are not particularly religious. There is, in fact, one scene of implied fornication before Ian proposes marriage to her. That said, MY BIG FAT GREEK WEDDING is a celebration of Toula’s family heritage, including its Greek Orthodox background. Thus, the movie has a nominal Christian worldview and even includes a baptism scene where Ian gets baptized. As such, the movie has a warm-hearted attitude toward Toula’s heritage and includes many funny, charming moments.

Its story structure could use a little bit of help, however. More attention should have been paid toward developing a stronger sense of conflict in the story.

Except for one strong, slightly garbled profanity from Ian, the foul language is relatively mild. MY BIG FAT GREEK WEDDING also contains a sequence of implied fornication and the stereotypical drinking of plenty of ouzo, an alcoholic drink brought over to America by Greek immigrants. These things and the movie’s fear of making a total commitment to Christianity merit a caution for older children. The movie is meant to be enjoyed more by older teenagers and adults anyway, so this judgment seems a fair one. Of course, making fair judgments is one of the most important moral principles outlined in God’s Word, the Bible. That, too, is a part of the Christian heritage in the Greek Orthodox church and all other Christian denominations worthy of the Name of Christ. What a delight it is to celebrate that heritage whenever we can. And, the best way to celebrate our Christian heritage is to live our lives by that heritage.

Now more than ever we’re bombarded by darkness in media, movies, and TV. Movieguide® has fought back for almost 40 years, working within Hollywood to propel uplifting and positive content. We’re proud to say we’ve collaborated with some of the top industry players to influence and redeem entertainment for Jesus. Still, the most influential person in Hollywood is you. The viewer.

What you listen to, watch, and read has power. Movieguide® wants to give you the resources to empower the good and the beautiful. But we can’t do it alone. We need your support.

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Now more than ever we’re bombarded by darkness in media, movies, and TV. Movieguide® has fought back for almost 40 years, working within Hollywood to propel uplifting and positive content. We’re proud to say we’ve collaborated with some of the top industry players to influence and redeem entertainment for Jesus. Still, the most influential person in Hollywood is you. The viewer.

What you listen to, watch, and read has power. Movieguide® wants to give you the resources to empower the good and the beautiful. But we can’t do it alone. We need your support.

You can make a difference with as little as $7. It takes only a moment. If you can, consider supporting our ministry with a monthly gift. Thank you.

Movieguide® is a 501c3 and all donations are tax deductible.