"Unfocused, Sometimes Gruesome, Portrait"
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What You Need To Know:
FERRARI does a great job creating intrigue while uncovering the mystery behind Enzo and what made Ferrari one of the most winning cars in the auto industry. On the track, FERRARI excels, with exciting auto-sports scenes. Problems arise off the track, however. Sadly, they include instances of foul language, marital infidelity and Enzo’s willingness to lie his way to victory. While perhaps true to the real-life story, an R-rating could have been easily avoided. FERRARI also has some gruesome depictions of car wrecks. MOVIEGUIDE® advises extreme caution.
Content:
More Detail:
FERRARI is a portrait of Enzo Ferrari, the Italian racecar maker, and focuses on three months in 1957 leading up a pivotal, dangerous 1,000-mile race across Italy, a time when both Enzo’s business and his personal life are in disarray. FERRARI is exciting when it focuses on the racing but loses its mojo when it focuses on foul language, scenes of bloody car wrecks, and the title character’s marital infidelity and willingness to lie his way to victory.
In the summer of 1957, Ferrari is at his wits end. At risk of being beaten by fierce competition, Ferrari refuses to back down. A former racecar driver turned entrepreneur, Ferrari seeks to make the fastest piece of engineering and find a driver willing to compete as hard as himself.
Despite his past success and making a name for his race cars as one of the fastest, most powerful in the industry, Enzo wants nothing more than to be at the top, no matter what. Ahead of the Mille Miglia, a dangerous 1,000-mile race across Italy, Enzo knows this is where he can prove that a Ferrari is not just a sports car but can race with and beat the best. As Enzo speeds towards the finish line, he will win no matter the cost, and no matter who gets in his way.
FERRARI is a compelling look at the life of Enzo Ferrari. As the veil is lifted from Enzo’s methods, and his willingness to risk everything to be the best, viewers are greeted with some
great racing scenes on the track. However, things slow down off the track to focus on gratuitous immorality.
Whether it’s Enzo’s infidelity to his wife, Laura, or some unnecessarily bloody violence and foul language, FERRARI leans into its immorality at the expense of good storytelling. Enzo is unafraid to make enemies and hurt people on the way to the top. If FERRARI had pulled back on some of its immoral content, it would have been a more intriguing watch for the average moviegoer.