Intelligent, Moral Science Fiction
Starring: Johnny Depp, Rebecca Hall,
Morgan Freeman, Cillian
Murphy, Kate Mara, Cole
Hauser, Clifton Collins Jr.,
Cory Hardrict, Falk Hentschel,
Josh Stewart, Luce Rains,
Fernando Chien, Steven Liu,
Genre: Science Fiction/Fantasy
Audience: Teenagers and adults
Runtime: 119 minutes
Distributor: Warner Bros. Pictures/Time
Director: Wally Pfister
Executive Producer: Dan Mintz, Christopher Nolan,
Producer: Kate Cohen, Broderick Johnson,
Andrew A. Kosove, Annie
Marter, Marisa Polvino, Aaron
Ryder, David Valdes
Writer: Jack Paglen
Address Comments To:Jeffrey L. Bewkes, CEO, Time Warner
Kevin Tsujihara, Chairman/CEO, Warner Bros. Entertainment Inc. (New Line Cinema)
Greg Silverman and Sue Kroll, President, Warner Bros. Pictures
4000 Warner Blvd.
Burbank, CA 91522-0001
Phone: (818) 954-6000; Website: www.movies.warnerbros.com
Johnny Depp plays Will Caster, a brilliant scientist pressing the frontiers of artificial intelligence. Rebecca Hall plays his fellow scientist wife, Evelyn, who loves the possibility of using artificial intelligence to cure cancer, end poverty, and clean up the environment. Their charmed life is shattered when some radicals who believe artificial intelligence is dangerous shoot Will. Will survives the shooting, but the bullet turns out to be highly radioactive.
As Will’s life slips away over a month’s time, Evelyn decides to try to save his mind by uploading it to a computer. She and their friend, Max, succeed, even when being attacked by radicals trying to stop them.
When Will’s uploaded to the Internet, his powers expand exponentially. He’s able to study the entire world’s surveillance cameras and alert the FBI to where the anti-technology people are hiding. He even discovers ways to regenerate severely injured bodies and give sight to a man born blind. However, there are drawbacks to such power. He knows everything about everyone. Also, those he has healed have super strength and live almost as his drones. In fact, he uses nano-technology to connect all of them to him through the Internet.
With Max’s help, the FBI decides to work with the anti-technology radicals to stop Will.
It’s actually refreshing to see a science fiction movie where a major threat to life on earth is not posed by Godzilla, evil Transformers, or any huge flying objects going around destroying cities. In an age when government agencies have access to every phone call or mouse click, and enemies can be taken out by soldiers at consoles controlling drones, this is a movie that will make you think. Do we want a cure to cancer if the price is programmed cells? Do we want more security if the price is the complete elimination of privacy?
Early in the movie, Will is asked if he wants to play God. This is a valid question. Will was working on “transcendence,” which he considered the use of supercomputers to add powers beyond the imagination to an uploaded human mind. Consider the similarity. God knows our every thought. God knows our motives. God made children who scrape their knees to regrow perfect skin. God made mankind capable of building artificial intelligence, atomic bombs, and surveillance cameras. We are living in a time when we expect technology to find astounding cures, but also to build ever more horrifying weapons. We live in an age where a small gift to a politically incorrect cause can cost you your job 15 years later. We live in an age where information gathered by the IRS and other government agencies can trigger politically motivated audits and prosecutions.
TRANCENDENCE does a wonderful job of causing viewers to think. How far do we want technology to go? What keeps it from being misused? Can it be stopped? Should it be stopped?
Those who obey God will use technology as God desires. Those who disobey God can misuse technology in frightening ways.
TRANSCENDENCE has a less than satisfying resolution, along with a couple possible plot holes, but the trip there is some of the best science fiction in years. It has less foul language and less violence than most of today’s science fiction movies. Not a single block of a major city gets blown to bits, but the world is radically changed.
Superbly crafted, TRANCENDENCE causes viewers to think. How far do we want technology to go? What keeps it from being misused? Can it be stopped? Should it? TRANSCENDENCE has a less than satisfying resolution, but the trip there is some of the best science fiction in years. It has less foul language and less violence than most science fiction movies.