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JACKASS FOREVER

"Extremely Graphic, Gross Sado-Masochistic “Comedy”"

What You Need To Know:

JACKASS FOREVER is the fourth official movie based on the TV series featuring crazy and extreme stunts. Actor and stunt athlete Johnny Knoxville leads a group of stuntmen, including one woman, in a series of crazy and often crude stunts. The relatively innocuous stunts include Knoxville in a costume alluding to the Greek Icarus myth being shot out of a cannon, men being knocked into a swimming pool by giant plastic hands, and a stuntman running into mousetraps he can’t see. One dangerous stunt involves a bear searching for pieces of salmon placed on a man’s lap. The stunts include multiple sequences where men’s naked private parts are pummeled, hit and covered with bees.

JACKASS FOREVER contains few genuine laughs. The movie is extremely graphic, gross and abhorrent. It contains abundant graphic foul language and extreme scatological humor. It also has many close-ups of naked male private parts. The extreme slapstick violence in JACKASS FOREVER often veers into overt sadomasochism. The stunt performers take lots of pleasure in seeing their fellow stunt “performers” experience severe pain, especially in the groin area.

Content:

(PaPaPa, LLL, VVV, SSS, NNN, DD, MM):

Dominant Worldview and Other Worldview Content/Elements:
Very strong pagan worldview as men engage in outrage, crude, graphic, extreme, sado-masochistic physical stunts to get laughs

Foul Language:
At least 159 obscenities (including many “f” words), 13 strong profanities, 28 light profanities, chocolate subs for human feces when porta potty with man inside goes tumbling through the air, brown stain on man’s underwear, people vomit several times, and multiple references to animal and human bodily fluids

Violence:
Extreme, frequent slapstick violence often veers into sadomasochism and includes stuntmen hit and punched multiple times in naked and covered private parts, two stuntmen blown off movie theater marquee, giant hand slaps men into swimming pool, bees are deliberately placed on a man’s naked private parts, men in dark room hit their heads on pans hanging from ceiling, little person climbs over table in dark room and runs into mousetraps strewn on the top, woman lets scorpion sting her lips and chin multiple tines, tarantula spider climbs over man’s head while head’s trapped in a plastic bubble connected to another man in a plastic bubble, cannon shoots man high into the air, and he lands in a little lake, man kisses a rat snake a few times, slow motion scene shows rat snake biting man’s nose, man riding bike hits a thick photo of the front of a house, man shown tumbling in a porta-potty thrown high into the air, men in underwear on merry-go-round are hit by scores of rubber bullets fired by men in soldier uniforms while explosions are set off around them, pig semen dumped all over man dressed up to do an interview about the movie, restrained man is deliberately covered in honey, and his lap is strewn with pieces of salmon while bear is unleashed and starts rooting in man’s lap for the salmon pieces, several pratfalls, wooden boards are placed on top of two groups of three men so that bicycles and small motorcycle can leap over the ramps, men in four chairs go flying when an ejection button is pushed, angry rodeo bull flips man high into the air, and he takes a hard landing and then is placed on a stretcher and put into an ambulance, etc.

Sex:
Graphic visual references to pig semen, swallowing pig semen and a lizard puppet, filmed to be as if it’s a couple stories high but revealed to be a puppet costume covering a man’s male organ, said lizard puppet spews fake semen all over soldiers and people trying to destroy it in a fictional sequence, plus frequent, extreme slapstick violence veers into frequent sadomasochism as men and a women take pleasure and laughter in seeing their fellow stuntmen “performers” experiencing severe pain, especially in the male groin area

Nudity:
Frequent full male nudity, including many close-ups of multiple stuntmen’s male organs as they get punched, hit or otherwise physically abused, plus a few close ups of a few stuntmen’s anuses and some rear and upper male nudity, including a slow-motion close-up of a tarantula spider sinking its two pincers into a man’s nipple area, plus some welts are shown on men’s bodies and on men’s private parts

Alcohol Use:
No alcohol use

Smoking and/or Drug Use and Abuse:
Brief smoking and a man asks another man if he’s high; and,

Miscellaneous Immorality:
Practical jokes are played on people without their knowledge as part of the series of extreme stunts.

More Detail:

JACKASS FOREVER is the fourth official movie based on the TV series featuring crazy and extreme stunts and includes much more of the same, but many of the stunts this time involve graphic, extreme physical abuse of the various stuntmen’s private parts. Containing few genuine laughs, JACKASS FOREVER is extremely graphic, gross and abhorrent, with constant foul language, many close-ups of naked male private parts and frequent, extreme slapstick violence that often veers into overt sadomasochism.

The movie opens with a fictional sequence where a giant lizard monster attacks New York City streets filled with people. The Army calls in some soldiers, who battle the giant lizard. Within this opening sequence, the giant lizard is revealed to be a small puppet draped over a stuntman’s male organ. At the end of the sequence, the whole JACKASS cast yells, “Welcome to JACKASS!”

The rest of the movie involves a series of extreme stunts. Some of the stunts involve such relatively “normal” things as bicyclists riding over two wooden ramps propped up by the bodies of three stuntmen, a chubby man falling onto a giant air bed in a furniture store and sending Johnny Knoxville, dressed as an old man, flying through the panel ceilings above, and two men on exercise bicycles connected to giant plastic hands ready to slap the men into a swimming pool.

One of the funniest sequences has the Jackass team sticking three of its members into a room. A snake wrangler shows a large round plastic container and the live rattlesnake inside. The team then secretly removes the rattlesnake container, replacing it with an empty container. They then lock the main door to the room and turn out the lights, scaring the wits out of the men inside. An escape door leads two or three men to another dark room, but the room has some iron pans strung from the ceiling and a long table full of mousetraps.

One of the more dangerous-looking stunts involves one stuntman strapped to a chair in a room. The team pours honey over his head and places pieces of salmon on his lap. Then, a brown bear is released form a nearby animal door and starts to root around the stuntman’s lap to eat the salmon. The fear on the stuntman’s face is real, as is the relief on his face when the animal trainer finally comes to take away the bear just as it’s about to get even more angry. Another dangerous stunt involves Johnny Knoxville, dressed in a fancy magician’s suit, facing an angry rodeo bull. The bull flips Knoxville high in the air, and the hard fall appears to knock him semi-unconscious. Knoxville regains consciousness and is placed on a stretcher into an ambulance.

Many of the extreme stunts, however, involve total male nudity where the stuntmen expose their private parts to graphic physical abuse. In one sequence, a naked man wearing an athletic supporter is hit by a softball, a pogo stick, a hockey puck, and a vicious punch from a heavyweight boxer. In another scene, the team puts a queen bee and a bunch of worker bees on a stuntman’s naked private parts. In still another scene, a toy with two mechanical arms fitted with miniature boxing gloves pummels a stuntman’s testicles.

JACKASS FOREVER contains few genuine laughs. The movie is extremely graphic, gross and abhorrent. It contains graphic foul language and extreme scatological humor. It also has many close-ups of naked male private parts. The extreme slapstick violence in JACKASS FOREVER often veers into overt sadomasochism. The male stuntmen and a stuntwoman take lots of pleasure in seeing their fellow stunt “performers” experience severe pain, especially in the groin area.

Now more than ever we’re bombarded by darkness in media, movies, and TV. Movieguide® has fought back for almost 40 years, working within Hollywood to propel uplifting and positive content. We’re proud to say we’ve collaborated with some of the top industry players to influence and redeem entertainment for Jesus. Still, the most influential person in Hollywood is you. The viewer.

What you listen to, watch, and read has power. Movieguide® wants to give you the resources to empower the good and the beautiful. But we can’t do it alone. We need your support.

You can make a difference with as little as $7. It takes only a moment. If you can, consider supporting our ministry with a monthly gift. Thank you.

Movieguide® is a 501c3 and all donations are tax deductible.


Now more than ever we’re bombarded by darkness in media, movies, and TV. Movieguide® has fought back for almost 40 years, working within Hollywood to propel uplifting and positive content. We’re proud to say we’ve collaborated with some of the top industry players to influence and redeem entertainment for Jesus. Still, the most influential person in Hollywood is you. The viewer.

What you listen to, watch, and read has power. Movieguide® wants to give you the resources to empower the good and the beautiful. But we can’t do it alone. We need your support.

You can make a difference with as little as $7. It takes only a moment. If you can, consider supporting our ministry with a monthly gift. Thank you.

Movieguide® is a 501c3 and all donations are tax deductible.