Dancer Misty Copeland Reveals She Secretly Welcomed Her First Child
By Movieguide® Contributor
Congratulations are in order for legendary ballerina Misty Copeland.
The dancer recently revealed that she and husband Olu Evans recently welcomed their first child together, a son named Jackson.
“I’m on maternity leave right now,” Copeland told People. “I have a 3-month-old. But I will be back on the stage in 2023, hopefully, in the fall.”
Even though Copeland spends a lot of time in the public eye, she said she plans to keep Jackson’s life private.
“My personal life I’ve really kept pretty private my whole career,” the ballerina shared. “Definitely with my son, I wouldn’t have him probably be on camera for anything, but when it comes to my career and what I’m doing, I’m really open.”
Copeland is taking some time off to take care of her new baby, but she’s ready to start working again, whether it’s performing or designing pieces for her Greatness Wins athletic line.
“It’s never easy, but I wouldn’t be able to do it without having a support system,” Copeland explained. “My husband is incredible and he’s an amazing dad. He’s been there for me throughout my entire career to help me to be able to balance those things. But you have to make sacrifices. I’m not at big events every night and out partying and going to dinners. I have to make sacrifices to be able to do all the things that I want to do.”
Movieguide® previously reported on Copeland’s faith and how it has influenced her dancing career:
In 2015, Ballet dancer Misty Copeland became the first female African-American principal dancer to perform in American Ballet Theatre. Despite the arduous journey to the top, Copeland said, “God made me to dance.”
“I’d gotten a late start in ballet,” Copeland, 39, wrote in an article published by Guideposts. “Some dancers begin their training as young as age three. I took my first lesson when I was 13. Not at an elite dance school either, but at a Boys & Girls Club, something unheard of in professional ballet.”
However, encouragement from her dance instructor, Cindy, motivated Copeland to keep trying.
“I’d made real progress, though. By the time I auditioned for that prestigious company, I was 15. I’d been called a ballet prodigy, a word whose depth of meaning I didn’t initially understand,” she added. “Early on, Cindy had read me the famed choreographer George Balanchine’s description of the ideal ballerina. ‘A small head, sloping shoulders, long legs, big feet and a narrow rib cage,’ she said. ‘Misty, you’re perfect. God made you for ballet.’ And I believed her.”
“Along with a newfound confidence, ballet gave me the stability I longed for,” she wrote. “In class and onstage, all my stresses fell away and I felt at home. I auditioned for a spot in the summer programs of the top ballet companies in the country. I was so sure ballet was my destiny that the rejection letter came as a complete shock.”
However, Copeland looked different from the rest of the ballerinas.
Copeland’s experience in the professional ballet world left her feeling rejected.
Copeland even began to give up on her dream from when she was a child.
“Soon I stopped going to class, which would practically ensure that I never became a principal dancer. My career was slipping away. I was far from my family, from Cindy,” she said. “Being the only African-American woman in the company made my isolation worse. I might have stayed stuck in the unhealthy cycle of emotional eating and self-doubt if a few special people hadn’t come into my life.”
“One was my first boyfriend, now my [husband], Olu. He helped me develop a new relationship with food. Growing up, I just ate whatever my family could afford. I started choosing foods that would strengthen my body and give me the energy I needed to get my dream back on track,” she added. “Another big influence was Susan Fales-Hill, an author and TV producer whom ABT’s artistic director asked to mentor me. ‘There are so many African-American women rooting for you,’ Susan told me one day. ‘Think about the ones before you, who broke down barriers for you. You may be alone at ABT, but you are not alone in the world.’”
Soon, Copeland was back on track, and before she turned 25, she landed her first role with American Ballet Theatre.
“I made history in June 2015, as the first female African-American principal dancer at American Ballet Theatre,” she added. “Today my body is pretty far from that of Balanchine’s ideal. I have a large chest, curves, and muscular arms and legs. Yet I still believe Cindy was right. God made me to dance and to show people that there is no one standard for what a ballerina should look like.”
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Now more than ever we’re bombarded by darkness in media, movies, and TV. Movieguide® has fought back for almost 40 years, working within Hollywood to propel uplifting and positive content. We’re proud to say we’ve collaborated with some of the top industry players to influence and redeem entertainment for Jesus. Still, the most influential person in Hollywood is you. The viewer.
What you listen to, watch, and read has power. Movieguide® wants to give you the resources to empower the good and the beautiful. But we can’t do it alone. We need your support.
You can make a difference with as little as $7. It takes only a moment. If you can, consider supporting our ministry with a monthly gift. Thank you.
Movieguide® is a 501c3 and all donations are tax deductible.
