- Content: “Christophobic Cinemarxism”
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What You Need To Know:
ONE BATTLE AFTER ANOTHER is a senseless Marxist thriller that’s supposed to take place in the present century but should have been set partly in the 1960s and 70s. The movie promotes violent anti-American, anti-capitalist revolution, open borders, and illegal immigration. It also depicts an underground white racist cabal as being Christian. Meanwhile, two heretical Roman Catholic churches favor illegal immigration. ONE BATTLE AFTER ANOTHER also has more than 150 obscenities and profanities. This movie could incite communist violence against America, including Christians and conservatives.
Content:
Strong humanist, communist worldview is anti-American and anti-capitalist, but mitigated by leading male character’s love for his teenage daughter (they were abandoned by the activist mother because she wasn’t ready to be in a family), plus a secret racist cabal of white men are Christian (which fits in with the movie’s anti-Christian communist worldview), two Catholic churches in the movie run an underground railroad line for illegal immigrants, which isn’t biblical, and leading female teenage character has friends who call themselves “non-binary”, and one teenage male friend in two or three scenes has makeup on his face suggesting cross dressing;
At least, 142 obscenities (including at least 113 “f” words), 13 GD profanities, and five light profanities;
Strong and light violence such as bombs explode, but the movie never shows them hurting anyone, police chase criminal revolutionaries, it’s implied one woman deliberately shoots a bank guard dead because he keeps crawling slowly toward her, a man driving one car shoots another man driving another car as the cars pass one another, and the one car crashes, a man is shot dead in the middle of a road, a man shoots a man guarding a convenience store, the man enters the store, and a shootout occurs offscreen between him and three other killers who are apparently going to murder a teenage captive, teenager later enters the store and sees all four men have died, man falls from a two or three-story rooftop but hits tree limbs on the way down, a man in a car chasing another person in a car runs into the other person’s car when the other person leaves that car and lets it run backwards down one of the many hills in the desert road they’ve been driving, a riot starts over an illegal immigration raid, father in one car chases the men who take his teenage daughter in a lengthy chase along desert roads, racist white lieutenant in the border patrol handcuffs a mixed-race teenage girl and forcibly makes her sit down in a church sanctuary so he can run a DNA test on her (he plans to have her killed if the test proves he’s the father), and a man is gassed to death, and his dead body is shown being incinerated;
Strong and crude verbal sexual references (one black female communist revolutionary has a crude nickname she loves to repeat loudly), another black female communist sexually humiliates a military hostage, the hostage is forced to arouse himself, the woman later agrees to have a sexual tryst with the military man if he lets her go after she’s captured, partially depicted and implied sex occurs as woman approaches naked man leaning against a wall, plus a teenage boy has makeup on in two or three scenes and apparently is part of a small group of teenagers who consider themselves “non-binary”;
Upper male nudity in a few scenes;
Some alcohol use;
People smoke and leading male character frequently smokes marijuana and tells another man over the phone that his memory has been damaged over the years from all the marijuana he’s been smoking; and,
All the racist characters are white, so movie has an anti-white ultra-liberal perspective that goes along with its dominant communist worldview.
More Detail:
The movie opens with a violent communist group calling itself the French 75 raiding a detention. center for illegal aliens on the border. The goal is to release all the detainees and transport them north in a big truck. DiCaprio plays “Ghetto” Pat, the group’s explosives expert, During the raid, he sets off a serious of fireworks and small explosives as a diversion. Meanwhile, Pat’s lover, a black woman named Peridia played by Teyana Taylor, sexually humiliates the detention center’s commander, Capt. Steven Lockjaw, played by Sean Penn.
After freeing the illegals, Pat, Perfidia and their comrades carry out a series of bombings against politicians’ offices, a bank and the power grid. However, Lockjaw captures Perfidia at one point but lets her go if she agrees to have a sexual encounter with him at a hotel. She meets him there and fornicates with him. Though he’s a virulent racist, Lockjaw is aroused by her.
Perfidia gives birth to a baby girl, Charlene. However, she’s unable to live as a family with Pat and her baby. The movie suggests that she thinks Lockjaw may be the father, but she doesn’t tell Pat.
So, Perfidia leaves them to continue her violent revolutionary activities, but she gets caught after deliberately killing a bank guard in cold blood. Lockjaw arranges for her to go into witness protection if she rats out her commie buddies. She agrees, and Lockjaw starts tracking them down and killing them.
Meanwhile, Bob is forced to go into hiding with Baby Charlene under the names Bob and Willa Ferguson. Also, Lockjaw, carrying flowers, shows up at Perfidia’s new house, but only finds a crude note to him saying her body will never belong to him.
Cut to 16 years later. Pat and Charlene, aka Bob and Willa, are living in a sanctuary city. Willa’s mother has never returned. So, Bob maintains a close watch on his teenage daughter, making sure she doesn’t have a cellphone and making her reveal who her friends are (in case one of them is an undercover agent). However, Bob spends his days drinking whiskey and smoking marijuana.
Meanwhile, Lockjaw is a lieutenant in the border patrol. He’s being courted by a secret cabal of white racist men calling themselves the “Christmas Adventurers Club.” Their headquarters plays Christmas carols, and they have a fascination with St. Nick. They ask Lockjaw whether he’s ever had sexual relations with a black woman. Lockjaw lies and says no.
So, Lockjaw is now hunting down Bob and Willa. He’s hired a Native American bounty hunter to track them down. After capturing one of Bob’s old compatriots, the man tracks them to the sanctuary city where they live
Lockjaw sends his troops into the city, but the remaining French 75 radicals send out a distress signal. Members rescue Willa from the high school dance before the troops raid the dance. Bob barely escapes from the troops who come to raid his house.
So, Bob now frantically tries to hook back up with Willa. He gets help from her Latino karate instructor, who happens to be running an underground railroad for illegal immigrants.
ONE BATTLE AFTER ANOTHER is a senseless Marxist thriller that’s supposed to take place in the present day. The movie’s plot is senseless because the leading male character is said to have been born sometime in the 1980s. However, the plot sounds like something that should have started during the 1960s and 70s when violent Marxist radicals like the Weathermen were bombing and killing people.
That said, the movie has some wild and crazy scenes that will hold a moviegoer’s interest. Also, the final chase sequence is pretty suspenseful.
However, ONE BATTLE AFTER ANOTHER has an abhorrent humanist, communist worldview. In fact, the movie incites violent Marxist revolution. As such, it’s anti-American and anti-capitalist. It also promotes open borders and mass illegal immigration, which also has led to much violence across the country in recent years and still does, despite successful attempts to stem the flow of illegal immigrants into the United States.
ONE BATTLE AFTER ANOTHER also has a hateful attitude toward Christians in America. All the white characters are part of a racist cabal of white men surrounded by Christmas carols. The white racist group in this movie is a shallow Marxist caricature. Only a foolish or ignorant person would buy into it. Also, it must be noted that no one has a moral or legal right to come to the United States or stay in the United States illegally.
Thus, with recent, horrific examples of Christian evangelists being attacked and assassinated and attacks on ICE immigration officers while arresting illegal alien criminals, this movie is bound to add more fuel to the fire. America doesn’t need a violent communist movie like ONE BATTLE AFTER ANOTHER right now, if ever.
The only thing mitigating the movie’s evil worldview is the strong love that the leading male character has for his daughter. The daughter receives a loving letter from her mother in the movie, but the letter rings false considering the mother’s callous attitude toward her when she’s a baby and her ruthless murder of the security guard in the bank. The movie should have shown in a scene or two that the mother’s character had softened.
ONE BATTLE AFTER ANOTHER also has strong sexual language and more than 150 obscenities and profanities, including more than 100 “f” words and 13 strong profanities.
