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Dear readers, Please don’t scroll past this message!

 

Now more than ever we’re bombarded by darkness in media, movies, and TV. Movieguide® has fought back for almost 40 years, working within Hollywood to propel uplifting and positive content. We’re proud to say we’ve collaborated with some of the top industry players to influence and redeem entertainment for Jesus. Still, the most influential person in Hollywood is you. The viewer.

 

What you listen to, watch, and read has power. Movieguide® wants to give you the resources to empower the good and the beautiful. But we can’t do it alone. We need your support. You can make a difference with as little as $7. It takes only a moment. If you can, consider supporting our ministry with a monthly gift. Thank you.

YES, I WANT TO SUPPORT MOVIEGUIDE®!

BROS

"Normalizing Humanist Homosexual Hedonism"

What You Need To Know:

BROS is an extremely lewd, obscene romantic comedy, from a major movie studio, about two homosexual men in New York City. Aaron is a politically active man who’s planning the opening of an LGBTQ history museum. In his private life, Aaron engages in meaningless homosexual trysts with men off the streets. However, one night, he goes to a homosexual bar and becomes attracted to a buff young man named Bobby. Soon, the two men start an ongoing relationship with one another, including rough sex. However, during a Christmas outing, Aaron is very rude to Bobby’s mother, a teacher, who disagrees with Aaron, who supports teaching second graders about sex, including homosexuality and transgender “identity.”

BROS sometimes pokes fun at the LGBTQ community and other social phenomenon in modern-day America. For example, it has some jokes about Hallmark’s homosexual Christmas movies. However, BROS is a talky, “woke” propaganda project promoting politically correct sexual hedonism. It supports teaching about sex and transgender ideas to second graders. BROS contains lots of strong foul language and many obscene sex scenes. It’s a trashy, perverse, abhorrent propaganda.

Content:

(HHH, PCPCPC, HoHoHo, LLL, VV, SSS, NN, A, DD, MM):

Dominant Worldview and Other Worldview Content/Elements:
Very strong humanist, politically correct, LGBTQ worldview that wholeheartedly supports extreme sexual hedonism, including transgender politics and the grooming of young children, and aims some barbs at conservatives

Foul Language:
At least 93 obscenities, three Jesus profanities, three GD profanities, and 17 light profanities (mostly OMG)

Violence:
Two homosexual men engage in violent wrestling and punching before starting to kiss and engage in sodomy (the violence is depicted so comically that it comes off as truly perverse)

Sex:
Many perverse, immoral, crude homosexual references include depicted homosexual sex, implied homosexual sex, masturbation scene, references to sodomy, two men engage in a foursome with two other men on two occasions, a joke about polyamorous sex, reference to an orgy, references to and promotion of transgender activity and gender “fluidity,” images of men making out at a homosexual bar (sometimes in threesomes), LGBTQ activists argue about whether Abraham Lincoln was homosexual or bisexual, bisexual advocate complains that bisexuals only get a day but lesbians get a whole month, main character advocates teaching young children about sex, homosexuality and transgender issues

Nudity:
Multiple images of upper and rear male nudity

Alcohol Use:
Lots of alcohol use

Smoking and/or Drug Use and Abuse:
No smoking but man uses a drug for homosexual sex; and,

Miscellaneous Immorality:
Man is rude to his boyfriend’s mother because she thinks second grade is too early to teach children about homosexuality and transgender issues (eventually, she is shamed into agreeing with him when she attends the man’s LGBTQ propaganda museum).

More Detail:

BROS is an extremely lewd, obscene, abhorrent romantic comedy, distributed by a major movie studio in Hollywood, about two homosexual men in New York City, who have difficulty getting together because of their different personalities. BROS sometimes pokes fun at the LGBTQ community and other social phenomenon in modern-day America, but it’s rather talky (one of the men is a chatterbox and sometimes selfishly refuses to shut up), and it comes down heavily in favor of transgender wokeness, including the sexual programming or “grooming” of innocent young children.

Aaron is a writer in New York who’s managing the opening of a LGBTQ history museum. The planning for the museum has been going smoothly until the board has trouble coming up with a final exhibit. Aaron suggests the final exhibit should be one about President Abraham Lincoln’s allegedly secret homosexual lifestyle (as a young man, Lincoln roomed with a younger man, and they slept in the same bed together, because beds were scarce and everyone shared beds). However, the bisexual representative on the museum’s board objects, saying that, if anything, Lincoln was bisexual because he was married and had four children. When the lesbian on the board sides with Aaron, the bisexual man starts complaining about the way bisexuals are treated in the LGBTQ community. He comically points out that bisexuals get a day to celebrate their sexual orientation, but lesbians get a whole month!

In his private life, Aaron engages in meaningless homosexual trysts with men off the streets. However, one night, he goes to a homosexual bar and becomes attracted to a buff young man named Bobby with his shirt off. Aaron enjoys talking to Bobby, but Bobby keeps disappearing to talk with someone else at the bar when Aaron is in mid-sentence (Aaron talks a lot, almost constantly). Bobby is scheduled to have a threesome with two “married” homosexual men later that night, and Aaron ends up joining them, but he doesn’t find the experience satisfying.

Soon, the two men start an ongoing relationship with one another, including rough sex. However, during a Christmas outing, Aaron is very rude to Bobby’s mother, a teacher, who disagrees with Aaron, who supports teaching second graders about sex, including homosexuality and transgender “identity.”

BROS sometimes pokes fun at the LGBTQ community and other social phenomenon in modern-day America. For example, in addition to the comical debate about Abraham Lincoln, the movie makes fun of The Hallmark Channel’s decision to include homosexual romances in its Christmas movies. The homosexual characters think Hallmark is just pandering to the LGBTQ community to make money, and the movie imagines Hallmark eventually making a Christmas movie about a group marriage with polyamorous people. In another funny scene, Aaron and Bobby are able to get a $5 million donation for the museum from an eccentric homosexual billionaire when Aaron pretends to like the man’s proposal to create a scary roller coaster ride focused on LGBTQ “trauma.”

However, BROS is really just a talky, “woke” propaganda project promoting politically correct LGBTQ activism. Eventually, Bobby’s mother is shamed into agreeing with Aaron about teaching sex to second grade children when she attends the grand opening of the LGBTQ museum. Also, at the grand opening, Aaron gives a speech where he recounts how much the transgender “community” has taught him about “gender fluidity.” He says it’s opened his eyes and made him a “better” person (in contrast to a more unhinged one?).

As such, BROS contains lots of strong foul language and many obscene sex scenes. BROS may appeal to radical, hedonistic liberals and leftists who have no moral standards at all, but many other viewers will find it unappealing. That a major movie studio would get behind such a trashy propaganda project shows how politically correct, brazen and depraved the liberal/left in Hollywood has become in recent years.

Now more than ever we’re bombarded by darkness in media, movies, and TV. Movieguide® has fought back for almost 40 years, working within Hollywood to propel uplifting and positive content. We’re proud to say we’ve collaborated with some of the top industry players to influence and redeem entertainment for Jesus. Still, the most influential person in Hollywood is you. The viewer.

What you listen to, watch, and read has power. Movieguide® wants to give you the resources to empower the good and the beautiful. But we can’t do it alone. We need your support.

You can make a difference with as little as $7. It takes only a moment. If you can, consider supporting our ministry with a monthly gift. Thank you.